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English Renaissance Theatre
English Renaissance Theatre

... • Given sides, or only their lines and cues and not the full script ...
Working Together
Working Together

... emphasizing critical-thinking, creativity, problem solving, collaboration, and communication as important life skills in the 21st century. ...
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... Use problem solving techniques to determine if another actor’s or one’s own performance is believable and truthful; make an informed decision about the quality of a ...
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Drama SAGE Invite 2014

... Creating characters that are stirring and believable is not an easy task, but it is an essential skill to have as a theatre artist. In this workshop, participants will use Improv-based activities to create dynamic, well-rounded characters. Come out and learn hands-on activities that you can employ o ...
David Lloyd-Jones
David Lloyd-Jones

... Top, Moving On and during last Summer the UK Premiere of The Rock Odyssey. His fascination with pantomime led to his becoming the first ever Arts Council of Wales Apprentice in Professional Pantomime Directing. To date David has directed twelve pantomimes including versions of: Aladdin, Babes in the ...
Aristotle`s Perfect Tragedy
Aristotle`s Perfect Tragedy

... The first philosophical theatre critic was the Greek philosopher Aristotle (384-322 B.C.E.) He wrote an essay on the definition of tragedy called The Poetics. Much of his thought process was derived from the tragedy play Oedipus, by Sophocles. ...
Comedy of Manners Information
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... Comedy of Manners has spread itself over several periods in theatre history. A theatrical genre can begin in a certain era but span many periods if the works of later playwrights successfully revive it. The most valuable material of this genre occurred during the Restoration. English theatres were ...
Greek Tragedy
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... Plays depicted serious and important events • Portrayed a tragic hero whose flaw is excess pride (hubris) but changes, gaining a new self-awareness • Playwrights were considered teachers, offering plays for moral and ethical improvement of his fellow citizens ...
NAME: Oedipus the King and Introduction to Greek Theatre The
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... Thespis is considered to be the first Greek "actor" and originator of tragedy (which means "goat song", perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.) However, his importance is disputed, and Thespis is sometimes listed as late as six ...
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... Thespis is considered to be the first Greek "actor" and originator of tragedy (which means "goat song", perhaps referring to goats sacrificed to Dionysus before performances, or to goat-skins worn by the performers.) However, his importance is disputed, and Thespis is sometimes listed as late as six ...
RENAISSANCE/ELIZABETHAN THEATER/DRAMA Terminology
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... No one would argue that here in Tianjin, we are a long way from the theatrical heartland of London’s West End. As such the D.P Theatre course at I.S.T is sponsoring the arrival of the West End in Tianjin. Once a month you can come to the theatre at I.S.T and be treated to a professional production o ...
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THR 120 Theater Appreciation - Northeast Alabama Community

... Students will take two examinations based on their comprehension of the semester notes. 33% of the final grade will be based on the final examination. C. Each student will attend the current semester theatrical production presented by the Theatre Department at Northeast Alabama Community College. Th ...
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... evolved from the use of the enclosed courtyards of inns to stage performances. These "apron stages" were surrounded by galleries and were therefore "open" stages. Indeed, they were so "open" that members of the audience not only sat in the galleries surrounding the stage on three sides, and in the ...
Realism Theatre
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... • Mystery: from French mystere -- secret. The term could refer to Biblical truths or to the secrets of the crafts held by the guilds who were responsible for producing the plays. • In England, these Biblical plays were produced in cycles: a series of plays depicting Biblical history from the Creatio ...
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... become the most important topic of our times - for good or bad. Now we bring this story to our stage by letting authors from around the world tell their tales. In China, we meet a person on the way to the airport in a taxi, and in the jungles of South Africa a hostage is on an uncertain journey whil ...
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... molding all aspects of a dramatic production— acting, scenery, costumes, makeup, lighting, and so on—into a unified whole. ...
The Elizabethan Age and Shakespeare
The Elizabethan Age and Shakespeare

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Drama



Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.The use of ""drama"" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe ""drama"" as a genre within their respective media. ""Radio drama"" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.
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