Introduction to Drama
... Is said to have performed in Athens in 534 B.C. The term “thespian,” (having to do with drama or theater) comes from his name. When the Dionysian festivals changed to drama competitions, Thespis was the first winner ...
... Is said to have performed in Athens in 534 B.C. The term “thespian,” (having to do with drama or theater) comes from his name. When the Dionysian festivals changed to drama competitions, Thespis was the first winner ...
Greek Theatre
... The eleven surviving plays are the only examples we have of what is called “Old Comedy”. Wrote very funny and popular social satire He poked fun at public figures such as Socrates and Euripedes. He was not above having the gods come out second best in plays. Menander (342-291 BC) He is known ...
... The eleven surviving plays are the only examples we have of what is called “Old Comedy”. Wrote very funny and popular social satire He poked fun at public figures such as Socrates and Euripedes. He was not above having the gods come out second best in plays. Menander (342-291 BC) He is known ...
athenian comedy
... THE LIFE OF THE THEATRE Western theatre was born in Athens, Greece Attic Theatre Funding The Performance The Actors The Birth of Drama The Art Flourished ...
... THE LIFE OF THE THEATRE Western theatre was born in Athens, Greece Attic Theatre Funding The Performance The Actors The Birth of Drama The Art Flourished ...
here - Parkview Drama program
... The hotel is so full; however, that Monsieur Cot’s room has been double-booked resulting in the near-meetings throughout the show. This play is, literally, a ‘farce’ – a ridiculous, fast-paced romp of happy misadventure, and, as such, requires real comic skill and is a must see for all high school t ...
... The hotel is so full; however, that Monsieur Cot’s room has been double-booked resulting in the near-meetings throughout the show. This play is, literally, a ‘farce’ – a ridiculous, fast-paced romp of happy misadventure, and, as such, requires real comic skill and is a must see for all high school t ...
The_Dawn_of_Theatre
... Won first prize in City Dionysia 13 times Invented the trilogy Added a second actor Reduced the chorus from 50 to 12 Loved spectacle Wrote 90 plays, but only 7 survive Oresteia trilogy is the most enduring ...
... Won first prize in City Dionysia 13 times Invented the trilogy Added a second actor Reduced the chorus from 50 to 12 Loved spectacle Wrote 90 plays, but only 7 survive Oresteia trilogy is the most enduring ...
Introduction to Drama
... humankind to transcend the limitations of the physical world. Henrik Ibsen was a leading figure who wrote plays that focused on ordinary people unlike Shakespeare and Marlowe who wrote about high-ranked people. E.g. “ A doll’s house” and “the wild Duck” ...
... humankind to transcend the limitations of the physical world. Henrik Ibsen was a leading figure who wrote plays that focused on ordinary people unlike Shakespeare and Marlowe who wrote about high-ranked people. E.g. “ A doll’s house” and “the wild Duck” ...
Introduction to Drama
... humankind to transcend the limitations of the physical world. Henrik Ibsen was a leading figure who wrote plays that focused on ordinary people unlike Shakespeare and Marlowe who wrote about high-ranked people. E.g. “ A doll’s house” and “the wild Duck” ...
... humankind to transcend the limitations of the physical world. Henrik Ibsen was a leading figure who wrote plays that focused on ordinary people unlike Shakespeare and Marlowe who wrote about high-ranked people. E.g. “ A doll’s house” and “the wild Duck” ...
Drama - Dipartimento di Lingue e Letterature Straniere e Culture
... concerns. But not simply a passive reflection of history • Intervenes in history. Performs an important sociopolitical action • It is a tool to fashion and contain. – Helps consolidate dominant order • or ...
... concerns. But not simply a passive reflection of history • Intervenes in history. Performs an important sociopolitical action • It is a tool to fashion and contain. – Helps consolidate dominant order • or ...
Drama
... portrayal of the different phases of human life. Dramas can be plays that are performed for theater, radio or television. ...
... portrayal of the different phases of human life. Dramas can be plays that are performed for theater, radio or television. ...
![Introduction to Greek Drama Guided Notes [Blank]](http://s1.studyres.com/store/data/005194136_1-d546edf4e0cc55c7e0273032857bea7e-300x300.png)
Introduction to Greek Drama Guided Notes [Blank]
... Wrote ______________________________________ 2. ______________________: Born 496 B.C. Wrote ____________________________________________________________ 3. ______________________: Born 480 B.C. Wrote __________________ 4. ______________________: 496- 406 B.C. He wrote __________ or more plays duri ...
... Wrote ______________________________________ 2. ______________________: Born 496 B.C. Wrote ____________________________________________________________ 3. ______________________: Born 480 B.C. Wrote __________________ 4. ______________________: 496- 406 B.C. He wrote __________ or more plays duri ...
Black Comedy--Comedy that tests the boundaries of good taste and
... plays and Miracle plays are among the earliest formally developed plays in medieval Europe. They developed from the 10th to the 16th century, reaching the height of their popularity in the 15th century before being rendered obsolete by the rise of professional theatre. Tableau vivant (plural: tablea ...
... plays and Miracle plays are among the earliest formally developed plays in medieval Europe. They developed from the 10th to the 16th century, reaching the height of their popularity in the 15th century before being rendered obsolete by the rise of professional theatre. Tableau vivant (plural: tablea ...
Roman drama was a decadent imitation of Greek drama
... plays are usually referred to as a closet drama meaning they are meant to be read rather than acted. A playwright could not compete with the chariot races and the Circus Maximus or real naval battles on the open seas. Romans wanted vulgarity and coarseness. The moral decay brought Rome’s demise. Dur ...
... plays are usually referred to as a closet drama meaning they are meant to be read rather than acted. A playwright could not compete with the chariot races and the Circus Maximus or real naval battles on the open seas. Romans wanted vulgarity and coarseness. The moral decay brought Rome’s demise. Dur ...
Theatrical Genres and Styles Throughout Time Word Search
... which incidents and situation are more important than depth of character or theme. Once taken seriously as an enormously popular form of entertainment, the overblown dialogue, display of overwrought emotion, stock characters and simplistic morality of good triumphing over evil reminiscent of ninetee ...
... which incidents and situation are more important than depth of character or theme. Once taken seriously as an enormously popular form of entertainment, the overblown dialogue, display of overwrought emotion, stock characters and simplistic morality of good triumphing over evil reminiscent of ninetee ...
Theatre History Notes - Ancient Theatre History
... *First day: games (similar to carnival). *Second and Third: poetry contests. *Fourth, Fifth, and Sixth: different playwright would present four plays each day: first three were part of a trilogy (related in theme and characters) and fourth was a satyr play (comedy). ...
... *First day: games (similar to carnival). *Second and Third: poetry contests. *Fourth, Fifth, and Sixth: different playwright would present four plays each day: first three were part of a trilogy (related in theme and characters) and fourth was a satyr play (comedy). ...
History of Western Theatre
... All theatrical events banned by Church when Rome became Christianized ...
... All theatrical events banned by Church when Rome became Christianized ...
Drama
Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.The use of ""drama"" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe ""drama"" as a genre within their respective media. ""Radio drama"" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.