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Shakespeare’s “Othello” (1564-1616) Shakespeare    Actor and playwright Formed his own theatrical company Built the Globe Theatre    Stockholder Greatest plays produced here Burned in 1613  During performance of Henry 8th - cannon went off Globe Theatre       Enclosed space with partial roof Seated as many as 2500 3 galleries of seats around 3 sides Platform stage extending from rear wall Groundlings Intimate atmosphere The Old Globe Theatre replica, which opened in Balboa Park, Sandiego, 1935 http://www.sandiegohistory.org/timeline/timeline3.htm Conventions of Elizabethan Drama Trapdoors  Inner stage  Upper stage  Simple scenery  Elaborate costumes  Female roles by males  Elaborate sound effects  Shakespeare’s Greatness Deep understanding of human nature  Knowledge in a wide variety of subjects  Influence on language  Freely experimented with grammar, vocabulary  Created words: click this link to see some    http://shakespeare.about.com/library/weekly/aa042400a.htm Originated phrases A Note on Reading Shakespeare Keep track of characters from list  Poetic language - read slowly & carefully  Pay attention to the annotations  Listen to recording; read summary; view a video  http://www.tumblebooks.com/talkingbooks/full_book.asp?ProductID=831 Othello, the Moor of Venice (page 1263) Plot: Identify which conflicts occur in the play and where.  Person vs. person  Person vs. self  Person vs. environment  Person vs. God Plot: Identify movement  Exposition  Complication  Climax  Denouement Setting: Venice and Cyprus Is the setting natural or artificial?  Is it hostile or friendly?  Is it limited to one place?  Shakespeare clearly breaks with Aristotle’s classical unities in this play: one plot, one location, over 24-hours.  Time of Play Othello elopes with Desdemona; same night takes ship for Cyprus  Cassio is disgraced 1st night after arrival in Cyprus  Desdemona is killed 2nd night in Cyprus  The play spans 3 days, two locations, and has multiple plots.  Characterization  Antagonist = Iago  Protagonist = Othello Characterization: Iago      Laurence Olivier as Iago www.peopleplayuk.org.uk Ambitious Envious of Cassio’s promotionSexually jealous of Othello and Cassio Greedy Deceitful Lustful Iago Intelligent  Cunning  Capable of tempting and controlling characters around him  Villain without conscience  Diabolically evil while appearing to be honest, trustworthy  Iago    Reduces human nature to its least attractive traits Coarse, blunt Suspicious view of human nature allows him to locate weakness in others and encourage its dominance of whole personality Iago’s Techniques for Deception Instigates others to act  Pretends to speak only out of the best motives  Works through insinuation rather than through explicit lies  Othello Greatness  Tragic hero  Virtues carried to excess  Loves - “too well”  Trusts - too much  Great sense of moral virtue punishes sin  Sensitive nature - vivid fantasies  Othello  “Free and open nature”  “Constant, loving, noble nature”  Energetic  Desire for perfection  Trusting Othello’s Insecurities  HIS BLACKNESS  A Moor (North Africa)  Negative stereotyping by other characters  Lascivious  Unnatural mate for white woman  Practitioner of black magic Othello’s Insecurities  HIS LACK OF SOPHISTICATION Not a native of Venice  At home on battlefield, not in sophisticated Venetian society  Lacks self-confidence  Trusts Iago’s view  Othello’s Insecurities  HIS AGE  Older than Desdemona  Iago plays on this insecurity Desdemona  Admirable  Self-contained  Speaks forcefully and to the point when she confronts her father  Speaks playfully with Iago while waiting for Othello’s ship Desdemona Is known for her innocence, purity  Can plead for Cassio - but not for herself  Dutiful, obedient  Can be regarded as model Elizabethan wife  Symbol: dramatic irony All the characters believe in Iago’s honesty.  Othello believes in Desdemona’s guilt.  Confidant(e) - serves a major character as a friend  Emilia is confidante to Desdemona  Iago is confidant to Roderigo Foil - illuminates a more important character  Emilia and Bianca are foils to Desdemona  Cassio and Iago are foils to Othello Theme  Human nature is easily manipulated. Jealousy is like a disease. Humans can have a terribly dark and cunning side.