the Classics In Context Program
... part, at least—had felt that progress was constant, rational, and gentle. Then, in one great explosion, everything changed. The French Revolution, which began in 1789, created a new, fierce, often bloody world. No king, no church, no aristocracy; these were such shocking novelties that the other Eur ...
... part, at least—had felt that progress was constant, rational, and gentle. Then, in one great explosion, everything changed. The French Revolution, which began in 1789, created a new, fierce, often bloody world. No king, no church, no aristocracy; these were such shocking novelties that the other Eur ...
THIS WAY TO BROADWAY – THE WORKSHOP
... each class of participants attend the workshop for one period (45mins-1:15) over five days as we work with several classes OR can be customized as needed to suit different schools (such as 1 day and 3 day intensive programs). We also offer after school programs! Classes will be taught by Broadway pr ...
... each class of participants attend the workshop for one period (45mins-1:15) over five days as we work with several classes OR can be customized as needed to suit different schools (such as 1 day and 3 day intensive programs). We also offer after school programs! Classes will be taught by Broadway pr ...
Baroque Music and the Doctrine of Affections
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
... Affections governed musical composition through the musical elements of intervals, key, and tempo. ...
Michail Goleminov - International Music Council
... sound, but sometimes of totally alienated substance and transformed almost to unrecognizability. At the same time, the modified sound continues to be an organic part of the dynamically developing and creative dialogue. In this sense, the work implements the supposition that construction and deconstr ...
... sound, but sometimes of totally alienated substance and transformed almost to unrecognizability. At the same time, the modified sound continues to be an organic part of the dynamically developing and creative dialogue. In this sense, the work implements the supposition that construction and deconstr ...
HARLEM QuARTET - Rockport Music
... nest and tried out in the frying pan.” Although Beethoven declined Rasumovsky’s request to give him lessons in theory and composition, he did accept his commission for the three string quartets. At their first performance, in the Rasumovsky palace, Schuppanzigh sat first violin and Count Rasumovsky ...
... nest and tried out in the frying pan.” Although Beethoven declined Rasumovsky’s request to give him lessons in theory and composition, he did accept his commission for the three string quartets. At their first performance, in the Rasumovsky palace, Schuppanzigh sat first violin and Count Rasumovsky ...
Prazak String Quartet - San Antonio Chamber Music Society
... caused him gradually to withdraw into himself, to think and communicate through certain works in a more subjective and intimate way than before. Programmatic music from this period (1876‐ 1878), therefore, often comes from an internally directed, reflective composer. ...
... caused him gradually to withdraw into himself, to think and communicate through certain works in a more subjective and intimate way than before. Programmatic music from this period (1876‐ 1878), therefore, often comes from an internally directed, reflective composer. ...
Music During the Baroque Period
... • Keyboardist, violinist, violist, and composer. • Made many contributions to music through his compositions. ...
... • Keyboardist, violinist, violist, and composer. • Made many contributions to music through his compositions. ...
DESIGN GAMES: GAME DESIGNS
... The affordances at easier levels could just be snapping of pieces, so that there are no explicit visual clues to the user, and he/she must rely entirely on sound. ...
... The affordances at easier levels could just be snapping of pieces, so that there are no explicit visual clues to the user, and he/she must rely entirely on sound. ...
Terms and Definitions – Jan
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
1 Terms and Definitions Characteristics of Romantic Music (Lecture 9)
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
... Characteristics of Romantic Music (Lecture 9) Chromatic harmony: harmony utilizing chords built on the five chromatic notes of the scale in addition to the 7 diatonic ones; producing rich harmonies Chromaticism: the frequent presence in melodies and chords of intervals only a half step apart; in a s ...
EXAMINATION NUMBER 00766000 1. If you`re studying the science
... B. Berlioz. D. Giacchino Rossini. ...
... B. Berlioz. D. Giacchino Rossini. ...
Who`s Who in Early Music - Lorraine Sherry`s New Home Page
... period of the Catholic Counter-Reformation (1560 to the close of the Thirty Years' War, 1648) and was a primary representative of the 16thcentury conservative Catholic approach to church music. By 1551, he was responsible for the music at St. Peter’s Basilica in Rome, and in 1554, he composed a Mass ...
... period of the Catholic Counter-Reformation (1560 to the close of the Thirty Years' War, 1648) and was a primary representative of the 16thcentury conservative Catholic approach to church music. By 1551, he was responsible for the music at St. Peter’s Basilica in Rome, and in 1554, he composed a Mass ...
program notes - Aston Magna Music Festival
... Salamone Rossi was a rare thing in Renaissance Italy, a Jewish composer who wrote polyphonic music, including a particularly significant body of instrumental chamber music and of madrigals in a style quite different from that of Gesualdo, and harking back more to the lighter examples of Marenzio and ...
... Salamone Rossi was a rare thing in Renaissance Italy, a Jewish composer who wrote polyphonic music, including a particularly significant body of instrumental chamber music and of madrigals in a style quite different from that of Gesualdo, and harking back more to the lighter examples of Marenzio and ...
Unwrap Beethoven 5th Resource
... 6. What changes in society influenced the instrumentation and style of his works? 7. Why was he such an interesting composer? ...
... 6. What changes in society influenced the instrumentation and style of his works? 7. Why was he such an interesting composer? ...
Secular Vocal Music - Fulford School : VLE
... Haydn has responded with a few touches of word painting, such as the piano flourish in bar 26 which reflects the word ‘play’. He does not seem to have been too bothered that the musical imagery for verse one might not be appropriate for the words of the second, however: The happy opening melody work ...
... Haydn has responded with a few touches of word painting, such as the piano flourish in bar 26 which reflects the word ‘play’. He does not seem to have been too bothered that the musical imagery for verse one might not be appropriate for the words of the second, however: The happy opening melody work ...
Multiple Choice - Julianne Baird
... 25. All of the following romantic composers were also virtuoso instrumentalists giving solo recitals except a. Clara Schumann b. Hector Berlioz c. Niccolò Paganini d. Franz Liszt ...
... 25. All of the following romantic composers were also virtuoso instrumentalists giving solo recitals except a. Clara Schumann b. Hector Berlioz c. Niccolò Paganini d. Franz Liszt ...
20th Century Music
... hammers instead of leather) and volume (the frame was now made of metal not wood which enabled greater tension of thicker, longer strings. Composers in the Romantic period started to explore the full range and colour of the piano, building up rich and varied textures and much greater use of the sust ...
... hammers instead of leather) and volume (the frame was now made of metal not wood which enabled greater tension of thicker, longer strings. Composers in the Romantic period started to explore the full range and colour of the piano, building up rich and varied textures and much greater use of the sust ...
Programme essay for Salzburg 2014, Mozart Tchaikovsky Beethoven
... horns and two trumpets. Mozart may have longed for clarinets – he certainly soon would, following his experience of Mannheim and Paris – but Salzburg served him far from poorly, not least concerning prospects for performance. Christian Friedrich Daniel Schubart, visiting the city at this time, remar ...
... horns and two trumpets. Mozart may have longed for clarinets – he certainly soon would, following his experience of Mannheim and Paris – but Salzburg served him far from poorly, not least concerning prospects for performance. Christian Friedrich Daniel Schubart, visiting the city at this time, remar ...
Late Nineteenth-Century Developments after Beethoven
... Applied to a movement in music, about the middle of the 19th century, in which composers became eager for their music to embody elements that proclaimed its nationality. Incorporation of folk melodies, folk dances, folk instruments, and other aspects of a nation’s indigenous or traditional music. Be ...
... Applied to a movement in music, about the middle of the 19th century, in which composers became eager for their music to embody elements that proclaimed its nationality. Incorporation of folk melodies, folk dances, folk instruments, and other aspects of a nation’s indigenous or traditional music. Be ...
Program Notes – Beethoven Symphony No. 7
... a Bohemian spa. His hearing was pretty much gone. He was in debt, reduced to taking dubious commissions for some quick cash. But it was during this dispiriting time that Beethoven wrote his seventh Symphony, a composition expressing almost unabated joy. When it was premiered in Vienna in 1813 with B ...
... a Bohemian spa. His hearing was pretty much gone. He was in debt, reduced to taking dubious commissions for some quick cash. But it was during this dispiriting time that Beethoven wrote his seventh Symphony, a composition expressing almost unabated joy. When it was premiered in Vienna in 1813 with B ...
MS Orchestra EOC Study Guide
... Periods of Music Medieval Renaissance Baroque Classical Romantic 20th Century Contemporary Misc. Terms Simile Fine Ritardando Da Capo (D.C.) Sharp (#) Fermata Tie ...
... Periods of Music Medieval Renaissance Baroque Classical Romantic 20th Century Contemporary Misc. Terms Simile Fine Ritardando Da Capo (D.C.) Sharp (#) Fermata Tie ...
Elements of Music
... • The shape and structure of a piece of music • Most music is divided into sections – New sections defined by harmony and/or melody – Older musical ideas return often – Some large pieces are broken into movements, which are also broken into sections ...
... • The shape and structure of a piece of music • Most music is divided into sections – New sections defined by harmony and/or melody – Older musical ideas return often – Some large pieces are broken into movements, which are also broken into sections ...
Music: An Appreciation by Roger Kamien
... for piano or orchestra Common types: – Program symphony: multi-movement/orchestral – Concert overture\: modeled on opera overture – Symphonic poem (or tone poem): one movement, orchestral, flexible form – Incidental music: for use before or during a play Chapter 10 ...
... for piano or orchestra Common types: – Program symphony: multi-movement/orchestral – Concert overture\: modeled on opera overture – Symphonic poem (or tone poem): one movement, orchestral, flexible form – Incidental music: for use before or during a play Chapter 10 ...
Introduction Part 1: Reaction to Impressionism
... The 20th century in classical music was extremely varied stylistically, thus there was no dominant style. A major element of this music is the increased use of dissonance; hence, the 20th century can also be referred to as the “Dissonant Period” of classical music as much of this music was a reactio ...
... The 20th century in classical music was extremely varied stylistically, thus there was no dominant style. A major element of this music is the increased use of dissonance; hence, the 20th century can also be referred to as the “Dissonant Period” of classical music as much of this music was a reactio ...