String Quartets of Penderecki: Analyzing Form
... overall formal structure of ABA'. Though not a formal string quartet, String Quartet No. l was a very strong success for Penderecki. this work was written for that instrumentation and is a good reflecAlthough he had earned fame in Europe for prior works, the quartet tion of Penderecki's stylistic la ...
... overall formal structure of ABA'. Though not a formal string quartet, String Quartet No. l was a very strong success for Penderecki. this work was written for that instrumentation and is a good reflecAlthough he had earned fame in Europe for prior works, the quartet tion of Penderecki's stylistic la ...
Publication
... Edited by Raymond Mase During the reign of Elizabeth I and continuing with James I, the arts in England flourished. Literary figures--Shakespeare, Ben Johnson and Bacon--as well as composers--Dowland, Morley, and Holborne--have irresistible appeal to us today and easily depict the exuberance of El ...
... Edited by Raymond Mase During the reign of Elizabeth I and continuing with James I, the arts in England flourished. Literary figures--Shakespeare, Ben Johnson and Bacon--as well as composers--Dowland, Morley, and Holborne--have irresistible appeal to us today and easily depict the exuberance of El ...
Anthropology, Theology, and the Simplicity of Benedict XVI`s Chant
... the society it reflects, Myers’s primitive chant gradually acquired a functionalist anthropological hue. Becoming a study in individual cultural adaptation it increasingly located simplicity within the terms of its own musical culture rather than any external (Western) comparators. Other ethnomusico ...
... the society it reflects, Myers’s primitive chant gradually acquired a functionalist anthropological hue. Becoming a study in individual cultural adaptation it increasingly located simplicity within the terms of its own musical culture rather than any external (Western) comparators. Other ethnomusico ...
Deconstruction in Music. The Jacques Derrida
... As noted before, it is difficult to draw a line here between interpretation and performance. It is not a case of interpretation in the sense of explanation or pure transmission. It is (also) an analysis, albeit not in a scholarly way. Does a musical interpretation, an analysis in music, a performanc ...
... As noted before, it is difficult to draw a line here between interpretation and performance. It is not a case of interpretation in the sense of explanation or pure transmission. It is (also) an analysis, albeit not in a scholarly way. Does a musical interpretation, an analysis in music, a performanc ...
LMM - Artaria String Quartet 2015-16 Program III Its Revolutionary
... ABOUT THE WORK: Six years separate the three “Razumovsky” Quartets of Op. 59 from the earlier set of Op. 18. In those six years Beethoven had come to terms with his growing deafness as suggested by the question he included in the sketchbook: “Can anything stop you from expressing your soul in music? ...
... ABOUT THE WORK: Six years separate the three “Razumovsky” Quartets of Op. 59 from the earlier set of Op. 18. In those six years Beethoven had come to terms with his growing deafness as suggested by the question he included in the sketchbook: “Can anything stop you from expressing your soul in music? ...
Stefanos Korkolis(born 12 September 1960) is a Greek
... Stefanos carried on performing and pursuing an international solo career. It was upon completion of his studies at the Conservatory that Stefanos gave a concert in Paris with the Paris Symphony Orchestra, performing his own first concerto for piano and orchestra and Rachmaninoff’s second piano conce ...
... Stefanos carried on performing and pursuing an international solo career. It was upon completion of his studies at the Conservatory that Stefanos gave a concert in Paris with the Paris Symphony Orchestra, performing his own first concerto for piano and orchestra and Rachmaninoff’s second piano conce ...
MP3103_02_Gjerdingen 192..204
... Latin as a series of “points” (puncta), after the black dots or small squares used to mark the musical notes. For the most sacred ceremonies, skilled singers would embellish the chant with one or more additional auditory streams. This was sometimes described as setting “a point against a point” (pun ...
... Latin as a series of “points” (puncta), after the black dots or small squares used to mark the musical notes. For the most sacred ceremonies, skilled singers would embellish the chant with one or more additional auditory streams. This was sometimes described as setting “a point against a point” (pun ...
The Skills of Flute Playing ~ Classic Techniques for
... playing in tune with piano and flute in recital playing in tune using all dynamics and no vibrato. using all dynamics and various tone colours, playing in tune in recital and with chamber music groups playing in tune within an orchestra and chamber group combinations (mixed winds, mixed strings, bra ...
... playing in tune with piano and flute in recital playing in tune using all dynamics and no vibrato. using all dynamics and various tone colours, playing in tune in recital and with chamber music groups playing in tune within an orchestra and chamber group combinations (mixed winds, mixed strings, bra ...
Program Notes Though they both lived in Venice, the composers
... Though they both lived in Venice, the composers Antonio Vivaldi (1678‐1741) and Baldassare Galuppi (1706‐1785) were of different generations and their paths rarely crossed. At age twenty, Galuppi was a harpsichordist at the Teatro Sant’Angelo, an opera house where Vivaldi reigned as the principa ...
... Though they both lived in Venice, the composers Antonio Vivaldi (1678‐1741) and Baldassare Galuppi (1706‐1785) were of different generations and their paths rarely crossed. At age twenty, Galuppi was a harpsichordist at the Teatro Sant’Angelo, an opera house where Vivaldi reigned as the principa ...
The Musical Legend -- Ludwig van Beethoven
... drams , 2 ballets , 1 Opera , 2 Masses , Fantasias and Oratorios ,9 piano trios ,32 large piano sonatas ,16 string quartets ,Many arias and songs. There are also 200 arrangements of folk songs with piano and trio accompaniment and much more. 2. Musical Style and Innovations Beethoven is viewed as th ...
... drams , 2 ballets , 1 Opera , 2 Masses , Fantasias and Oratorios ,9 piano trios ,32 large piano sonatas ,16 string quartets ,Many arias and songs. There are also 200 arrangements of folk songs with piano and trio accompaniment and much more. 2. Musical Style and Innovations Beethoven is viewed as th ...
The Seven Periods of Western Music History
... “Sacred Music” (music performed in church) Gregorian Chant (sung by monks) Everyone singing one melody without harmony (aka Monophony) Utilizes “modes” - ancestors of the current major and minor scales The text was religious in nature and sung in Latin ...
... “Sacred Music” (music performed in church) Gregorian Chant (sung by monks) Everyone singing one melody without harmony (aka Monophony) Utilizes “modes” - ancestors of the current major and minor scales The text was religious in nature and sung in Latin ...
NEOCLASSICISM: The Rake`s Progress 1 The
... The use of this medium is correct, but not traditional of music of the classical idiom when compared to the extensive overture in Beethoven’s Fidelio, which is approximately 100 bars in length, or Wagner’s Die Walkure, which is approximately 80 bars. They both explore the themes extensively giving a ...
... The use of this medium is correct, but not traditional of music of the classical idiom when compared to the extensive overture in Beethoven’s Fidelio, which is approximately 100 bars in length, or Wagner’s Die Walkure, which is approximately 80 bars. They both explore the themes extensively giving a ...
BMC 8 - DOMENICO SCARLATTI (1685-1757)
... There Scarlatti met Handel, who had been born in the same year. At the time of their meeting, in 1708, they were both twenty-three, and were prevailed upon to compete together at the instigation and under the refereeship of Ottoboni; they were adjudged equal on the harpsichord, but Handel was consid ...
... There Scarlatti met Handel, who had been born in the same year. At the time of their meeting, in 1708, they were both twenty-three, and were prevailed upon to compete together at the instigation and under the refereeship of Ottoboni; they were adjudged equal on the harpsichord, but Handel was consid ...
Aalborg Universitet FIXING/CIRCUMSCRIBING/SUGGESTING/EVOKING Bergstrøm-Nielsen, Carl
... have many different degrees of freedom, as I am going to demonstrate here. They also range from down-to-earth to very meditative. Besides the original German versions, official versions of both collections exist in English and French as well – see specifications in the literature list. Thus, they ha ...
... have many different degrees of freedom, as I am going to demonstrate here. They also range from down-to-earth to very meditative. Besides the original German versions, official versions of both collections exist in English and French as well – see specifications in the literature list. Thus, they ha ...
Slide 1
... “When Handel wrote the Messiah, he conceived of choruses of heroic dimensions which produced a glorious ocean of sounds but the orchestra of his time was limited and the instruments were far less evolved than they are today. To play and sing this music today we should, in my opinion, try to conceive ...
... “When Handel wrote the Messiah, he conceived of choruses of heroic dimensions which produced a glorious ocean of sounds but the orchestra of his time was limited and the instruments were far less evolved than they are today. To play and sing this music today we should, in my opinion, try to conceive ...
program notes - Canto Armonico
... has survived, in part at least, and preserves a significant part of the choir's repertoire from that time in an exceptionally beautifully written manuscript. Measuring about 60 x 44 cm, it would have rested on a lectern so that the singers could gather round it, the page turns being carefully organi ...
... has survived, in part at least, and preserves a significant part of the choir's repertoire from that time in an exceptionally beautifully written manuscript. Measuring about 60 x 44 cm, it would have rested on a lectern so that the singers could gather round it, the page turns being carefully organi ...
Chapter 21 -- Ludwig van Beethoven
... wholesale. Generally, something that is inaccurate or inconsistent is worse than nothing at all—which is why many of the biographies of him are worse than useless. What do we have, then, that can tell us a true story of his life and put his enormous talents in perspective? One of them is a set of co ...
... wholesale. Generally, something that is inaccurate or inconsistent is worse than nothing at all—which is why many of the biographies of him are worse than useless. What do we have, then, that can tell us a true story of his life and put his enormous talents in perspective? One of them is a set of co ...
Johann Sebastian Bach
... In the spring of 1795 Beethoven gave his first public concert, playing one of his own Piano symphonic conception had never known. The next few years people saw him playing in Berlin & many of the cities of Germany, Austria & Hungary. The feeling of his increasing deafness first noticed in 1798 as a ...
... In the spring of 1795 Beethoven gave his first public concert, playing one of his own Piano symphonic conception had never known. The next few years people saw him playing in Berlin & many of the cities of Germany, Austria & Hungary. The feeling of his increasing deafness first noticed in 1798 as a ...
Catalogs of Composers` Works https://en.wikipedia.org/wiki
... time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Debussy and Hindemith). Some used i ...
... time, it was normal to apply opus numbers to instrumental compositions but not to vocal compositions such as operas, oratorios, etc.). Some composers gave opus numbers to some of their early compositions but abandoned the practice after some time (examples include Debussy and Hindemith). Some used i ...
Untitled - UMS ´n JIP
... Thomson, and George Antheil. With encouragement from Cage, Feldman began to write pieces that had no relation to compositional systems of the past, such as the constraints of traditional harmony or the serial technique. He experimented with non-standard systems of musical notation, often using grids ...
... Thomson, and George Antheil. With encouragement from Cage, Feldman began to write pieces that had no relation to compositional systems of the past, such as the constraints of traditional harmony or the serial technique. He experimented with non-standard systems of musical notation, often using grids ...
Strauss, Johann I - Department of Physics | Oregon State
... apprenticeship with a local bookbinder. During his time there he also took lessons on the violin and viola. Eventually Johann was offered a position on the local orchestra and then later left to join a popular string quartet. During his time in the string quartet he was given the position of deputy ...
... apprenticeship with a local bookbinder. During his time there he also took lessons on the violin and viola. Eventually Johann was offered a position on the local orchestra and then later left to join a popular string quartet. During his time in the string quartet he was given the position of deputy ...
Chapter 10: Class of 1685 (I): The Instrumental Music of Bach and
... II. Bach A. Bach’s Career 1. Bach never left Germany. 2. He held a series of organist positions early on, worked at a ducal court, and then became music director in Leipzig. 3. Bach’s career was provincial, and he composed what was needed at the time. 4. Most of his great vocal music dates from Leip ...
... II. Bach A. Bach’s Career 1. Bach never left Germany. 2. He held a series of organist positions early on, worked at a ducal court, and then became music director in Leipzig. 3. Bach’s career was provincial, and he composed what was needed at the time. 4. Most of his great vocal music dates from Leip ...
Sheet music
... volumes. The best-known examples of these are medieval • A short score is a reduction of a work for many in- manuscripts of monophonic chant. In the case of mestruments to just a few staves.Rather than compos- dieval polyphony, such as the motet, the parts were writing directly in full score, many c ...
... volumes. The best-known examples of these are medieval • A short score is a reduction of a work for many in- manuscripts of monophonic chant. In the case of mestruments to just a few staves.Rather than compos- dieval polyphony, such as the motet, the parts were writing directly in full score, many c ...
Eugene Onegin
... Ivanovna. They had been sent from the court of August II the Strong in Dresden to entertain the new empress and her court. The success of this first opera troupe paved the way for more. In 1735, composer Francesco Araja and his opera troupe were invited to St. Petersburg to establish a resident oper ...
... Ivanovna. They had been sent from the court of August II the Strong in Dresden to entertain the new empress and her court. The success of this first opera troupe paved the way for more. In 1735, composer Francesco Araja and his opera troupe were invited to St. Petersburg to establish a resident oper ...