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Program - University of Puget Sound
Program - University of Puget Sound

... Norton Clapp, chairman of the Laird Norton Company and president and chairman of Weyerhauser Company, served as a trustee for more than half of the University of Puget Sound’s first century-from 1933 until 1995. This 62 year term included work with four University presidents (Todd, Thompson, Phibbs, ...
Removing the Footlights Epic devices—asides, prologues
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... of their basic stylistic principles. Yet the mode of defamiliarisation in their works differed from Brecht’s approach, since their works were more strongly based on theatricality, stylisation and conventionality than on traditional epic devices. Vakhtangov’ s famous 1922 production of Carlo Gozzi’s ...
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`Love, bitter wrong, freedom, sad pity, and lust of power`: politics and
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... discovered, this conspiracy was just one episode in a national pattern of insurgency across the United Kingdom during the first half of the year. On Good Friday there was an uprising in the West Riding textile district centred on Huddersfield, followed on Easter Monday by a more serious insurgency i ...
this PDF file
this PDF file

... Professor Ogden's title says it all. In the past decade we have developed postpositive methodologies for an historiography of the theatre. This text is a much-needed resource for those researchers who recognize the limitations in the way we deal with the esthetics of the theatre. Dunbar Ogden's stud ...
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THEATRE COMPLEX Seminar II - BRAC University Institutional
THEATRE COMPLEX Seminar II - BRAC University Institutional

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... Theatre arts benefit the student because they cultivate the whole person, gradually building many kinds of literacy, including innovations in technology, while developing intuition, reasoning, imagination, and dexterity into unique forms of expression and communication. Theatre honors imagination an ...
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A Doll` s House - UBC Library - University of British Columbia

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Drama



Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.The use of ""drama"" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe ""drama"" as a genre within their respective media. ""Radio drama"" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.
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