The Farndale Avenue Housing Estate Townswomen`s Guild
... past include those in Wait Until Dark, Stop the World, I Want to Get Off, Chicago, Christmas Pudding, Steel Magnolias, and Hayfever, while more recent fun was in Secret Bridesmaid’s Business. Sue’s directing experiences include Table Manners, The Dock Brief, What’s for Pudding and Last Tango in Litt ...
... past include those in Wait Until Dark, Stop the World, I Want to Get Off, Chicago, Christmas Pudding, Steel Magnolias, and Hayfever, while more recent fun was in Secret Bridesmaid’s Business. Sue’s directing experiences include Table Manners, The Dock Brief, What’s for Pudding and Last Tango in Litt ...
THE GREATER MANCHESTER FRINGE
... Flamenco Live! is an explosive Spanish dance & music experience brought to you by young artists from Spain and the UK. Directed by young Barcelona-based guitarist Jero Férec and Madrid based dancer Magdalena Mannion, the show combines the energy of traditional Flamenco with elements of the artists’ ...
... Flamenco Live! is an explosive Spanish dance & music experience brought to you by young artists from Spain and the UK. Directed by young Barcelona-based guitarist Jero Férec and Madrid based dancer Magdalena Mannion, the show combines the energy of traditional Flamenco with elements of the artists’ ...
School Dance - Arts Centre Melbourne
... Belgian comic series. Smurfs are small blue fictional creatures that live in mushroom houses in a forest. There are more than one hundred Smurfs, whose names are based on adjectives that emphasize their characteristics, e.g. 'Jokey Smurf', who likes to play practical jokes on his fellow smurfs, 'Clu ...
... Belgian comic series. Smurfs are small blue fictional creatures that live in mushroom houses in a forest. There are more than one hundred Smurfs, whose names are based on adjectives that emphasize their characteristics, e.g. 'Jokey Smurf', who likes to play practical jokes on his fellow smurfs, 'Clu ...
special educational needs resource pack
... Finally, pupils might notice that Elphaba’s sister is given silver shoes, not ruby slippers as seen in the 1939 film. In the original story by L.Frank Baum, the shoes were in fact silver and the story goes that there were changed to ruby for the film to take advantage of the new innovation called Te ...
... Finally, pupils might notice that Elphaba’s sister is given silver shoes, not ruby slippers as seen in the 1939 film. In the original story by L.Frank Baum, the shoes were in fact silver and the story goes that there were changed to ruby for the film to take advantage of the new innovation called Te ...
Click here for the Good People Study Guide
... "Class is something I know about," Mr. Lindsay-Abaire said. "I've lived it every day of my life, and it shaped me in my identity." He recalled that on school vacations he would go home and watch TV for a week while seemingly everyone else at Milton went off somewhere and came back with a tan. Debbie ...
... "Class is something I know about," Mr. Lindsay-Abaire said. "I've lived it every day of my life, and it shaped me in my identity." He recalled that on school vacations he would go home and watch TV for a week while seemingly everyone else at Milton went off somewhere and came back with a tan. Debbie ...
Updated December 11, 2000
... Presentation at the First Annual Conference on Research on Fine And Performing Arts of the Athens Institute for Education and Research,” Athens, Greece, June 2010. “Burning Texts: Indigenous Dramaturgy on the Continent of Life.” Working Group paper for the session on Indigenous Performance Research ...
... Presentation at the First Annual Conference on Research on Fine And Performing Arts of the Athens Institute for Education and Research,” Athens, Greece, June 2010. “Burning Texts: Indigenous Dramaturgy on the Continent of Life.” Working Group paper for the session on Indigenous Performance Research ...
Kansas
... the art of theatre, the student applies knowledge from all other disciplines through theatre. Furthermore, in order to create theatre, a student must be able to use all of the workplace competencies. As a result, theatre education that is aligned with the aspects addressed though these enduring unde ...
... the art of theatre, the student applies knowledge from all other disciplines through theatre. Furthermore, in order to create theatre, a student must be able to use all of the workplace competencies. As a result, theatre education that is aligned with the aspects addressed though these enduring unde ...
asolo repertory theatre and the fsu/asolo conservatory for actor
... him as the perfect foil. But when their rivalry is used to exploit racial stereotypes to raise ratings, all three men find themselves fighting for more than the title belt. This no-holdsbarred comedy transforms the Cook Theatre into a wrestling arena where you’ll have a ringside seat for this invigo ...
... him as the perfect foil. But when their rivalry is used to exploit racial stereotypes to raise ratings, all three men find themselves fighting for more than the title belt. This no-holdsbarred comedy transforms the Cook Theatre into a wrestling arena where you’ll have a ringside seat for this invigo ...
Teacher Notes
... Rosemary!Myers,!Windmill’s!Artistic!Director!was!excited!to!create!work!for!young!children!in!an!often! missed!age!range!of!five!to!eight!years!for!the!2013!season.!! ...
... Rosemary!Myers,!Windmill’s!Artistic!Director!was!excited!to!create!work!for!young!children!in!an!often! missed!age!range!of!five!to!eight!years!for!the!2013!season.!! ...
A Brief History of the Audience
... The playwright who won the goat had the opportunity to sacrifice that goat to the gods, specifically to Dionysus for whom the festival was named. In fact, the literal translation of the word tragedy in Greek is “Goat Song.” The goat was what you won in exchange for your song or play for the gods. Th ...
... The playwright who won the goat had the opportunity to sacrifice that goat to the gods, specifically to Dionysus for whom the festival was named. In fact, the literal translation of the word tragedy in Greek is “Goat Song.” The goat was what you won in exchange for your song or play for the gods. Th ...
Full Portrait
... In the fall of 2015, we launched the Learning Stage Series, which was created to give young people more and varied performance opportunities. Our interns and contract artists have been the main drivers of the artistic aspects of these shows, serving as directors, choreographers, and designers. The L ...
... In the fall of 2015, we launched the Learning Stage Series, which was created to give young people more and varied performance opportunities. Our interns and contract artists have been the main drivers of the artistic aspects of these shows, serving as directors, choreographers, and designers. The L ...
Exploring risky youth experiences: Popular theatre as a participatory
... Performative research or performance ethnography has roots in the fields of anthropology (Fabian, 1990; Turner, 1986) and communication/performance studies (Conquergood, 1998), where performance is regarded as both a legitimate and an ethical way of representing ethnographic understanding. In their ...
... Performative research or performance ethnography has roots in the fields of anthropology (Fabian, 1990; Turner, 1986) and communication/performance studies (Conquergood, 1998), where performance is regarded as both a legitimate and an ethical way of representing ethnographic understanding. In their ...
Saul Programme Notes
... An Oratorio; or Sacred Drama Programme Notes In 1735, the wealthy patron and man of letters Charles Jennens, an admirer of Handel’s work for many years, delivered a libretto to the composer. Handel replied politely that at first glance it looked quite satisfactory, and that in due course he would “r ...
... An Oratorio; or Sacred Drama Programme Notes In 1735, the wealthy patron and man of letters Charles Jennens, an admirer of Handel’s work for many years, delivered a libretto to the composer. Handel replied politely that at first glance it looked quite satisfactory, and that in due course he would “r ...
6538 Black Watch 6pp - National Theatre of Scotland
... Venus as a Boy, a National Theatre of Scotland Workshop co-production with Burnt Goods, based on Luke Sutherland’s extraordinary novel. In Autumn / Winter 2007 Black Watch and The Wolves in the Walls will be the first National Theatre of Scotland shows to be performed internationally, with performanc ...
... Venus as a Boy, a National Theatre of Scotland Workshop co-production with Burnt Goods, based on Luke Sutherland’s extraordinary novel. In Autumn / Winter 2007 Black Watch and The Wolves in the Walls will be the first National Theatre of Scotland shows to be performed internationally, with performanc ...
how to think the unthinkable
... Dionysus, the son of Zeus and the god of wine and vegetation, was a very important god for the Ancient Greeks. Dionysus died each winter and was reborn each spring, mirroring the death and rebirth of nature, and embodying the renewal and rejuvenation of spring. Each year the Greeks celebrated Dionys ...
... Dionysus, the son of Zeus and the god of wine and vegetation, was a very important god for the Ancient Greeks. Dionysus died each winter and was reborn each spring, mirroring the death and rebirth of nature, and embodying the renewal and rejuvenation of spring. Each year the Greeks celebrated Dionys ...
performance of hope - The University of Auckland
... Drury and Frances Ya-Chu Cowhig. Ehn’s play cycle was written over twenty years and comprises sixteen texts. It spans genocides from the Americas to Europe to Africa, with a particular focus on genocidal thinking in everyday life. The striking series of plays, which blend heightened poetic text, raw ...
... Drury and Frances Ya-Chu Cowhig. Ehn’s play cycle was written over twenty years and comprises sixteen texts. It spans genocides from the Americas to Europe to Africa, with a particular focus on genocidal thinking in everyday life. The striking series of plays, which blend heightened poetic text, raw ...
EUROPEAN THEATRE CONTEXT Linking Bratislava to Moscow
... National Theatre Prague (1881). In Czech Republic, similarly to neighbouring European countries, there had been several reputable theatre ensembles or houses, which was the name given to important buildings. This was at a time of a common state of the Czechs and the Slovaks, Czecho-Slovakia (1918). ...
... National Theatre Prague (1881). In Czech Republic, similarly to neighbouring European countries, there had been several reputable theatre ensembles or houses, which was the name given to important buildings. This was at a time of a common state of the Czechs and the Slovaks, Czecho-Slovakia (1918). ...
e Empress Dowager as Dramaturg: Reinventing Late
... emperors for all kinds of ceremonial occasions, including popular calendrical festivals, guest rituals, and life cycle rituals such as imperial weddings and birthday celebrations. As such, these dramas were known for their panegyric nature and spectacular pageantry. e plot of a ceremonial drama usu ...
... emperors for all kinds of ceremonial occasions, including popular calendrical festivals, guest rituals, and life cycle rituals such as imperial weddings and birthday celebrations. As such, these dramas were known for their panegyric nature and spectacular pageantry. e plot of a ceremonial drama usu ...
this PDF file
... author was Sir Walter Scott, with William Shakespeare a strong contender for second place. She became extremely well-read in the British classics of the day. Constance wrote plays from a young age. One of the earliest finished pieces of writing included among her papers is a three-act operetta entit ...
... author was Sir Walter Scott, with William Shakespeare a strong contender for second place. She became extremely well-read in the British classics of the day. Constance wrote plays from a young age. One of the earliest finished pieces of writing included among her papers is a three-act operetta entit ...
this PDF file
... Indian perspective from the Norwegian. A renowned figure Sombhu Mitra of Bengali drama was a director of this play. It is mentioned that the play was staged in 1962 and 1985 by the deviation of 10 to 30 years. Each time the script of the play was changed; and Sombhu Mitra himself acted as a protagon ...
... Indian perspective from the Norwegian. A renowned figure Sombhu Mitra of Bengali drama was a director of this play. It is mentioned that the play was staged in 1962 and 1985 by the deviation of 10 to 30 years. Each time the script of the play was changed; and Sombhu Mitra himself acted as a protagon ...
Progression of Learning in Secondary School Drama
... that students are expected to acquire over the course of their arts education studies at the secondary level, both in the compulsory program and in the optional programs. The first section covers knowledge that students should have acquired by the end of each cycle, as well as by the end of Secondar ...
... that students are expected to acquire over the course of their arts education studies at the secondary level, both in the compulsory program and in the optional programs. The first section covers knowledge that students should have acquired by the end of each cycle, as well as by the end of Secondar ...
Spring Awakening - University of Warwick
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
Spring Awakening - University of Warwick
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
Spring Awakening - University of Warwick
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
... • 1886: Clashed with father, who wanted him to continue his legal studies, while Frank wanted to be a writer. Left for Zurich after a physical fight with his father. Worked as advertising manager for Maggi soup and as secretary to a circus. • 1891: Published Spring Awakening (Frühlings Erwachen) at ...
Getting the Message: Measuring Audience Response to Theatre for
... production, and in so doing establish its communicational efficacy with particular reference to the reception of intended effects. The theoretical justification for this approach was constructed in a second study that explored Theatre for Development as 'persuasive' communication (Gaskell and Taylor ...
... production, and in so doing establish its communicational efficacy with particular reference to the reception of intended effects. The theoretical justification for this approach was constructed in a second study that explored Theatre for Development as 'persuasive' communication (Gaskell and Taylor ...
Drama
Drama is the specific mode of narrative, typically fictional, represented in performance. The term comes from the Greek word δρᾶμα, drama, meaning action, which is derived from the verb δράω, draō, meaning to do or to act. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night (1956) by Eugene O’Neill.The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene, the Muse of comedy represented by the laughing face, and the Muse of tragedy represented by the weeping face, respectively. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.The use of ""drama"" in the narrow sense to designate a specific type of play dates from the 19th century. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). It is this narrow sense that the film and television industry and film studies adopted to describe ""drama"" as a genre within their respective media. ""Radio drama"" has been used in both senses—originally transmitted in a live performance, it has also been used to describe the more high-brow and serious end of the dramatic output of radio.Drama is often combined with music and dance: the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs; and some forms of drama have incidental music or musical accompaniment underscoring the dialogue (melodrama and Japanese Nō, for example). In certain periods of history (the ancient Roman and modern Romantic) some dramas have been written to be read rather than performed. In improvisation, the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience.