Music 231 Second Species Counterpoint, Two Parts
... place within the bar, must be prepared and resolved D. Can be used for a unison if left by step in the opposite direction ...
... place within the bar, must be prepared and resolved D. Can be used for a unison if left by step in the opposite direction ...
GCSE set works condensed info
... 1 live guitar, 7 electric guitars, 2 bass guitars (during performance, the only instrument present will be the live guitar; all the other guitar parts were pre-recorded by the musician him/herself in a studio) Stereo panning (when there’s a left and a right channel, like bass guitars on either side ...
... 1 live guitar, 7 electric guitars, 2 bass guitars (during performance, the only instrument present will be the live guitar; all the other guitar parts were pre-recorded by the musician him/herself in a studio) Stereo panning (when there’s a left and a right channel, like bass guitars on either side ...
Music Listening Today Chapter 7 Pages 46 - 50
... 4. There are 3 primary chords. Identify these three chords using their scalar degree, Roman Numerals and their scale degree name. _________________________ _________________________ _________________________ 5. How would you describe timbre in reference to European Folk Music? ______________________ ...
... 4. There are 3 primary chords. Identify these three chords using their scalar degree, Roman Numerals and their scale degree name. _________________________ _________________________ _________________________ 5. How would you describe timbre in reference to European Folk Music? ______________________ ...
Indian
... Precision tuning is achieved by inserting bits of wool or silk between the strings and lower bridge and by adjusting small beads attached to the strings. ...
... Precision tuning is achieved by inserting bits of wool or silk between the strings and lower bridge and by adjusting small beads attached to the strings. ...
African Origins and Acculturation in the New World
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
... • Can be “dirtied” by adding bottlecaps to produce a buzzing sound. ...
Uniting Orff and Kodály: Best of Both Worlds
... While one student taps steady beat on the hand drum, ask the class to clap the rhythm patterns while saying ta’s, ti-ti’s, etc. Guide students in identifying the rhythmic notation of the 3 rhythm patterns. Have a student write the first two patterns on the board. For the third pattern, the g ...
... While one student taps steady beat on the hand drum, ask the class to clap the rhythm patterns while saying ta’s, ti-ti’s, etc. Guide students in identifying the rhythmic notation of the 3 rhythm patterns. Have a student write the first two patterns on the board. For the third pattern, the g ...
Advanced_HS_Band_Benchmarks
... Execute refined tone on their primary instrument (A.ML.1.1) Execute consistent pitch individually and within ensembles of various sizes and instrumentations (A.ML.1.1) Illustrate appropriate posture, breath support, hand position, and fingerings or stick control while performing an 8 measure musical ...
... Execute refined tone on their primary instrument (A.ML.1.1) Execute consistent pitch individually and within ensembles of various sizes and instrumentations (A.ML.1.1) Illustrate appropriate posture, breath support, hand position, and fingerings or stick control while performing an 8 measure musical ...
Year-9-Music
... o A score is part of the ‘soundtrack’, o The rest of the soundtrack is made from non-original music found in the film – like songs by the pop stars you know. o The film score makes use of leitmotifs throughout o A LEITMOTIF is a short piece of music used to describe a character, in this case, James ...
... o A score is part of the ‘soundtrack’, o The rest of the soundtrack is made from non-original music found in the film – like songs by the pop stars you know. o The film score makes use of leitmotifs throughout o A LEITMOTIF is a short piece of music used to describe a character, in this case, James ...
PPT only
... Sequential presentation of notes Fundamental = note at scale base, bottom note of chord ...
... Sequential presentation of notes Fundamental = note at scale base, bottom note of chord ...
Elements_of_Music
... Tempo Speed of the music. Time signature – tells the player how many beats and which note gets the steady beat. ...
... Tempo Speed of the music. Time signature – tells the player how many beats and which note gets the steady beat. ...
Ch11 Lecture Part I
... E-F (Separated by Semitone) Constant ratio 1:1.06 True for all pairs across range Web Demo ...
... E-F (Separated by Semitone) Constant ratio 1:1.06 True for all pairs across range Web Demo ...
pdf, 181kb
... lower number indicates the unit of measurement, and the upper number indicates the number of units that make up a measure. Meter: The grouping in which a succession of rhythmic pulses or beats is organized, indicated by a meter signature at the beginning of a work. Minor scale: A scale built on the ...
... lower number indicates the unit of measurement, and the upper number indicates the number of units that make up a measure. Meter: The grouping in which a succession of rhythmic pulses or beats is organized, indicated by a meter signature at the beginning of a work. Minor scale: A scale built on the ...
Orchestra Final Exam Study Sheet
... Tenuto- dash under or above a note indicating the note should be played long Tie- curved line connecting two or more notes that are the same Time Signature- numbers indicating number of beats per measure/kind of note that gets the beat Tremelo- rapid unmeasured movement of the bow for effect (3 slas ...
... Tenuto- dash under or above a note indicating the note should be played long Tie- curved line connecting two or more notes that are the same Time Signature- numbers indicating number of beats per measure/kind of note that gets the beat Tremelo- rapid unmeasured movement of the bow for effect (3 slas ...
Sample Grade 1 Theory Paper
... ( ) above the place where you can see a one-octave scale in the key of the piece. 6.5 Is this scale going up or down? ...
... ( ) above the place where you can see a one-octave scale in the key of the piece. 6.5 Is this scale going up or down? ...
lhs music theory homework 1.Basic note reading
... each key plays a certain pitch. •Each white key corresponds to a letter A, B, C, D, E, F or G. The letters proceed alphabetically from A to G and then they go back to A. •Black keys are arranged in alternating groups of twos and threes. All A’s look alike in this pattern, all B’s look alike and so o ...
... each key plays a certain pitch. •Each white key corresponds to a letter A, B, C, D, E, F or G. The letters proceed alphabetically from A to G and then they go back to A. •Black keys are arranged in alternating groups of twos and threes. All A’s look alike in this pattern, all B’s look alike and so o ...
MUSICAL NOTATION Music is notated on a staff
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
... The curl of the treble clef circles the line that is G on the staff. The dots of bass clef are around the line that is F. The middle of C-clef is at the line that is middle C. The other lines and spaces represent other notes and always follow in order of the alphabet using only the first seven lette ...
Sample Grade 1 Theory Paper
... ( ) above the place where you can see a one-octave scale in the key of the piece. 6.5 Is this scale going up or down? ...
... ( ) above the place where you can see a one-octave scale in the key of the piece. 6.5 Is this scale going up or down? ...
Lecture 8
... • An octave can be DIVIDED in a number of ways • In western music, there are 12 notes per octave (as on the piano) ...
... • An octave can be DIVIDED in a number of ways • In western music, there are 12 notes per octave (as on the piano) ...
Dan`s Music Theory 101 Cheat Sheet
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
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Dan`s Music Theory 101 Cheat Sheet []
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
... Chord Tone- A note that’s part of the current chord. Chromatic Scale- A scale consisting of every note. Diatonic- A note that is in the current scale/key. Downbeat- The first beat in a measure. Flat- Lowers the note a half step. Half Step- Move one notch on the wheel, or one fret on a bass/guitar. A ...
Music - Wheelock Primary School
... Create rhythms using percussion instruments. Use percussion instruments to accompany songs. Experiment with digital technologies to create sound. ...
... Create rhythms using percussion instruments. Use percussion instruments to accompany songs. Experiment with digital technologies to create sound. ...
Middle School Band Curriculum 1
... staccato style and articulation; forte, piano, decrescendo, and crescendo dynamics; and tempi Moderato and Allegro. (2D, 3A, 3B, 3C, 3F) ...
... staccato style and articulation; forte, piano, decrescendo, and crescendo dynamics; and tempi Moderato and Allegro. (2D, 3A, 3B, 3C, 3F) ...
Polyrhythm
Polyrhythm is the simultaneous use of two or more conflicting rhythms, that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic conflict may be the basis of an entire piece of music (cross-rhythm), or a momentary disruption. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm.