PDF text - Music Theory Online
... impressive movements being treated in more depth. In a later chapter on theoretical perspectives, some of these movements are evaluated anew at greater length, particularly the first movement of the “Hunt” quartet, K. 458. One might imagine that such an overview section would be ideal for the studen ...
... impressive movements being treated in more depth. In a later chapter on theoretical perspectives, some of these movements are evaluated anew at greater length, particularly the first movement of the “Hunt” quartet, K. 458. One might imagine that such an overview section would be ideal for the studen ...
here - Chamber Music Tulsa
... the same instruments from his Salzburg days. For Mozart, chamber music had a dual allure: it could be played recreationally in jovial private gatherings with friends, and it could also be published quickly for extra income. Given the growing market for piano trios in the 1780s, it seems likely that ...
... the same instruments from his Salzburg days. For Mozart, chamber music had a dual allure: it could be played recreationally in jovial private gatherings with friends, and it could also be published quickly for extra income. Given the growing market for piano trios in the 1780s, it seems likely that ...
piano quartet in a minor composed in 1876 gustav mahler born in
... essentially self-taught. The sonata structure of this one movement (sketches for a second movement Scherzo survive, but are incomplete) demonstrates a sympathetic knowledge not only of 19th-century form and compositional style, but also the techniques of the great piano masters: Beethoven, Schubert, ...
... essentially self-taught. The sonata structure of this one movement (sketches for a second movement Scherzo survive, but are incomplete) demonstrates a sympathetic knowledge not only of 19th-century form and compositional style, but also the techniques of the great piano masters: Beethoven, Schubert, ...
Ludwig van Beethoven (1770-1827)
... frustrations, however, and spent more time refining his pieces instead of writing as many as he could, (like Haydn and Mozart). Sometimes he even missed deadlines for music he was writing for his patrons because he worked so hard on them! He kept notebooks to write down musical ideas for his famous ...
... frustrations, however, and spent more time refining his pieces instead of writing as many as he could, (like Haydn and Mozart). Sometimes he even missed deadlines for music he was writing for his patrons because he worked so hard on them! He kept notebooks to write down musical ideas for his famous ...
Program Notes - Chicago Symphony Orchestra
... consumer prices) of those years. Schubert sold his eight impromptus to Haslinger in Vienna, who agreed to publish them in small lots to test their acceptance. He issued the first two numbers of the series (in C minor and E-flat major) in 1828 as Schubert’s op. 90, nos. 1 and 2 with some success, but ...
... consumer prices) of those years. Schubert sold his eight impromptus to Haslinger in Vienna, who agreed to publish them in small lots to test their acceptance. He issued the first two numbers of the series (in C minor and E-flat major) in 1828 as Schubert’s op. 90, nos. 1 and 2 with some success, but ...
program notes - Mercury Houston
... The final movement presents a swaggering rondo form whose main theme recalls central-European gypsy fiddling, except that Schubert takes that tune through a series of different keys. A second theme (another masterpiece of expansive lyricism) concludes the rondoform refrain and takes the piece into a ...
... The final movement presents a swaggering rondo form whose main theme recalls central-European gypsy fiddling, except that Schubert takes that tune through a series of different keys. A second theme (another masterpiece of expansive lyricism) concludes the rondoform refrain and takes the piece into a ...
playing the organ works of mendelssohn
... Sonata No. 1, Allegro assai vivace Pedal technique is often reduced to the simple question whether one “may” or “may not” use the heel in the works of a given composer. I can’t even begin to address the problems I have with that oversimplified approach! In the “Schübler” Chorales, I now recommend he ...
... Sonata No. 1, Allegro assai vivace Pedal technique is often reduced to the simple question whether one “may” or “may not” use the heel in the works of a given composer. I can’t even begin to address the problems I have with that oversimplified approach! In the “Schübler” Chorales, I now recommend he ...
The Damocles Trio Plays Works By Brahms
... may be Italian for "joke", but only in the fourth movement of his C Major Trio—marked Allegro giocoso— does Brahms indulge in any humor. Most of the major themes have an obviously bouncing, laughing character, but more subtle musical jokes abound as well. Perhaps the most effective of these relates ...
... may be Italian for "joke", but only in the fourth movement of his C Major Trio—marked Allegro giocoso— does Brahms indulge in any humor. Most of the major themes have an obviously bouncing, laughing character, but more subtle musical jokes abound as well. Perhaps the most effective of these relates ...
NOTES ON THE OCTOBER PROGRAM JOSEPH HAYDN
... performance in the household of his patron, Prince Nikolaus Esterházy. In the 1760s and 1770s he often created three or four symphonies a year. At Eszterháza, far from Vienna for months on end, with a music-loving prince eager to hear his newest compositions, he found himself, as he said, "forced to ...
... performance in the household of his patron, Prince Nikolaus Esterházy. In the 1760s and 1770s he often created three or four symphonies a year. At Eszterháza, far from Vienna for months on end, with a music-loving prince eager to hear his newest compositions, he found himself, as he said, "forced to ...
docx - ACMS
... Composed in 1894 at the age of 33, Piano Trio no. 1 is Anton Stepanovich Arensky's best-known extended work. The presence of Mendelssohn (and especially of that composer’s own D minor piano trio) is clearly apparent. The trio is one of Arensky’s most successful large-scale pieces, displaying his mel ...
... Composed in 1894 at the age of 33, Piano Trio no. 1 is Anton Stepanovich Arensky's best-known extended work. The presence of Mendelssohn (and especially of that composer’s own D minor piano trio) is clearly apparent. The trio is one of Arensky’s most successful large-scale pieces, displaying his mel ...
Rojas Program - Tarrant County College
... coda includes a brief reminder of the Grave before ending with a swift cadence. The second movement, Adagio cantabile, is played three times, always in A-flat Major, separated by two episodes that commence in minor keys. The main theme of this movement is nearly identical with an episode in the Moza ...
... coda includes a brief reminder of the Grave before ending with a swift cadence. The second movement, Adagio cantabile, is played three times, always in A-flat Major, separated by two episodes that commence in minor keys. The main theme of this movement is nearly identical with an episode in the Moza ...
The concerto
... ! The word cadenza meads cadence and the term is used in a concerto because just before the solo cadenza begins the orchestra pauses on an imperfect cadence ! This signals the start of the caden ...
... ! The word cadenza meads cadence and the term is used in a concerto because just before the solo cadenza begins the orchestra pauses on an imperfect cadence ! This signals the start of the caden ...
Beethoven Piano Trio Op 1 no 3
... collecting into a single work materials enough for twenty') and have many of Beethoven's characteristic trade-marks. In Beethoven’s hands the trio form moves beyond the traditional three-movement design of Haydn and Mozart: he adds a movement, casts the individual movements on a larger scale, and gi ...
... collecting into a single work materials enough for twenty') and have many of Beethoven's characteristic trade-marks. In Beethoven’s hands the trio form moves beyond the traditional three-movement design of Haydn and Mozart: he adds a movement, casts the individual movements on a larger scale, and gi ...
June 2015 - fra bernardo media
... Discretion recedes in Haydn's C major Violin Concerto, where a cembalo is actualiy specifiedr but whereas Gottfried von der Goltz incorporates the harpsichord into the texture, Hcibarth allows it to drive a prominently inflexible rhlthm in the outer movements. And, excepting the slow ...
... Discretion recedes in Haydn's C major Violin Concerto, where a cembalo is actualiy specifiedr but whereas Gottfried von der Goltz incorporates the harpsichord into the texture, Hcibarth allows it to drive a prominently inflexible rhlthm in the outer movements. And, excepting the slow ...
here - Krenek.at
... The Sonata is based on two different twelve – tone rows which are constantly brought into variegated interplay until in the last movement they are integrated with each other. From the viewp ...
... The Sonata is based on two different twelve – tone rows which are constantly brought into variegated interplay until in the last movement they are integrated with each other. From the viewp ...
Xinghai "Yellow River Concerto,"
... Sharply dissonant and maintains a steadfastly tonal base The Classical tone is shone through the harmonic language Sudden shifts between tonal centers ...
... Sharply dissonant and maintains a steadfastly tonal base The Classical tone is shone through the harmonic language Sudden shifts between tonal centers ...
- Senior Honors Recital Jeffrey Scheu Planning
... Four Dialogues was written for Dr. Brian Bowman of the University of Maryland and the United States Air Force Band. Dr. Bowman and Gordon Stout, faculty member of Ithaca Conservatory of Music, recorded the piece for Crystal records. According to Dr. Adler and Peggy Heinkel in her article, "Analysis ...
... Four Dialogues was written for Dr. Brian Bowman of the University of Maryland and the United States Air Force Band. Dr. Bowman and Gordon Stout, faculty member of Ithaca Conservatory of Music, recorded the piece for Crystal records. According to Dr. Adler and Peggy Heinkel in her article, "Analysis ...
Beethoven String Quartet Op 18 no 5
... The A major quartet is something of a homage to Mozart, bearing many similarities with his K.464 ('Drum') quartet in the same key. It had particularly impressed Beethoven, who is reported to have said “That’s a work! That’s where Mozart said to the world: Behold what I might have done for you if the ...
... The A major quartet is something of a homage to Mozart, bearing many similarities with his K.464 ('Drum') quartet in the same key. It had particularly impressed Beethoven, who is reported to have said “That’s a work! That’s where Mozart said to the world: Behold what I might have done for you if the ...
The Flute Through Time: A Senior Recital
... The flute is a wind instrument of ancient origin formerly made of wood but now of silver and other metals. It is one of the first wind instruments to have published works. Music for the modern flute spans from the early Baroque era through history, and is still being written to this day. Program •H ...
... The flute is a wind instrument of ancient origin formerly made of wood but now of silver and other metals. It is one of the first wind instruments to have published works. Music for the modern flute spans from the early Baroque era through history, and is still being written to this day. Program •H ...
Program notes by Laurie Shulman ©2011 First North American
... hard-pressed to name a half dozen of their contemporaries. Names like Dittersdorf, Vanhal, Stamitz, and Boccherini get some play, but most other classical era composers fly beneath the radar. For bass players, however, Johannes Sperger is a major figure. He was the most celebrated bassist of his day ...
... hard-pressed to name a half dozen of their contemporaries. Names like Dittersdorf, Vanhal, Stamitz, and Boccherini get some play, but most other classical era composers fly beneath the radar. For bass players, however, Johannes Sperger is a major figure. He was the most celebrated bassist of his day ...
exam requirements for rcm history i
... Overture "There were shepherds" "Glory to God" "Rejoice greatly" "Hallelujah!" Prelude and Fugue one selection from The Well-Tempered Clavier ...
... Overture "There were shepherds" "Glory to God" "Rejoice greatly" "Hallelujah!" Prelude and Fugue one selection from The Well-Tempered Clavier ...
Friday, March 13, 2015 at 8pm NEC`s Jordan Hall Daniil Trifonov
... structure. Thus, as the movement progresses, the feeling seems to be rather of a color and sonority rather than melody and rhythm, so that by the fourth variation the material has been abstracted into an endless hovering around C major as if it were the key of the universe itself. This leads into a ...
... structure. Thus, as the movement progresses, the feeling seems to be rather of a color and sonority rather than melody and rhythm, so that by the fourth variation the material has been abstracted into an endless hovering around C major as if it were the key of the universe itself. This leads into a ...
aniello desiderio - Dubrovačke ljetne igre
... 1723. Several sketches of these pieces can however already be found in his notes from the Weimar period (from 1708 to 1717). The master seems to have already been interested in melodic music instruments as solo instruments; particularly the violin, which was superbly played by almost all members of ...
... 1723. Several sketches of these pieces can however already be found in his notes from the Weimar period (from 1708 to 1717). The master seems to have already been interested in melodic music instruments as solo instruments; particularly the violin, which was superbly played by almost all members of ...
Aural Revision Grade 7
... ABA Introduces the A section, has a contrasting B section, then returns to A. ...
... ABA Introduces the A section, has a contrasting B section, then returns to A. ...
Sonata form
Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period).While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this, sonata form is difficult to pin down in a single model.The standard definition focuses on the thematic and harmonic organization of tonal materials that are presented in an exposition, elaborated and contrasted in a development and then resolved harmonically and thematically in a recapitulation. In addition, the standard definition recognizes that an introduction and a coda may be present. Each of the sections is often further divided or characterized by the particular means by which it accomplishes its function in the form.Since its establishment, the sonata form became the most common form in the first movement of works entitled ""sonata"", as well as other long works of classical music, including the symphony, concerto, string quartet, and so on. Accordingly, there is a large body of theory on what unifies and distinguishes practice in the sonata form, both within eras and between eras. Even works that do not adhere to the standard description of a sonata form often present analogous structures or can be analyzed as elaborations or expansions of the standard description of sonata form.