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Rotten Apples Theatrical LLC
United Stages
playbill
February 1, 2014; pub.#2230
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AMERICAN
Rotten Apples Theatrical LLC
presents the world premiere of
Written and Directed by Liz Peak and Barry Peak
Cast
Vincenzo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Brusasco
X-Dogg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kyle Robert Carter
Eddie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . David Demato
A-Dogg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shabazz Green
The Don . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bruno Iannone
Mfume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leajato Amara Robinson
Callie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Courtney Romano
Luther. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tally Sessions
Joanie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deborah Tranelli
Willie May. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tom White
Scenic Design: Julia Noulin-Mérat
Costume Design: Sarah Rose
Lighting Design: Carl Wiemann
Sound Design and Original Music: M. Florian Staab
Projection Design: Bart Cortright
Director of Photography for videos: Blake Drummond
Fight Director: Trampas Thompson
Stage Manager: Jessa Nicole Pollack
Script Editor: Wyatt Peak
Casting: Wojcik/Seay Casting
Marketing/Advertising: The Pekoe Group
Press Representative: Richard Hillman Public Relations
Production Manager: Aislinn Curry
General Manager: Adam Fitzgerald
The sound and projection designers are members of Local USA 829.
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The Actors and Stage Managers employed in this production are members of Actors’ Equity
Association, the Union of Professional Actors and Stage Managers in the United States.
This production will be performed with one 15 minute intermission.
This play takes place entirely in New Jersey, relatively contemporarily.
W h o’ s W h o
Michael Brusasco (Vincenzo) Off-Broadway:
Misalliance, The Playboy of the Western World
(Pearl Theatre), Electra in a One Piece (Good Company). Other New York Credits: A Crucible (Perfect Disgrace), Happy Sunshine Kung Fu Flower
(Ars Nova), Of Monsters and Prodigies (Lincoln
Center Festival). Regional: Venus in Fur (Cleveland Playhouse), Twelfth Night (Folger Theatre),
Private Lives (Pittsburgh Public Theater), See How
They Run (Barrington Stage Company), Pride &
Prejudice (Roundhouse Theatre), as well as seasons
at the Pennsylvania Shakespeare Festival, Utah
Shakespeare Theatre, A.C.T., Berkeley Repertory
Theatre, California Shakespeare Theatre, Pioneer
Theatre Company, and The Shakespeare Theatre.
www.michaelbrusasco.com.
Kyle Robert Carter (X-Dogg) National Tour:
In The Heights (Benny) Off-Broadway: Storyville
(Butch “Cobra” Brown) NYC Readings: 21 (Roberto Clemente), Sweethearts of Swing (Willy), Debbie
Allen Dance Academy’s The Hot Chocolate Nutcracker. University of Notre Dame, B.A. Studio Art
and Design, minor - Italian. www.kyle-r-carter.com.
at Soho International Film Festival and Cannes
Short Film Corner), Spotters, The Perfect Witness
(Showtime), Plan B w/Diane Keaton and Paul
Sorvino, Mob Queen (w/David Proval and Tony
Sirico), Pinero (w/ Benjamin Bratt), Once Upon a
Time in America (w/ Robert DeNiro and James
Woods), The Money Pit (w/Tom Hanks and Shelley Long), Heart (w/ Brad Davis), Law and Order
(SVU), Third Watch, 100 Centre Street. Currently, his screenplay Closer to Evening is being
marketed by Brilliant Earth Pictures, LLC for
feature film production. Member of The Indies
Lab NYC.
Leajato Amara Robinson (Mfume) Off-Broadway: Storyville (The York Theatre Co.) NYC credits: Greasemonkey (Robert Moss Theatre), Ghostdancer (Mint Theatre Stages), Shinbone Alley
(Mc Ginn- Cazale Theatre). Regional: Pippin
(The Depot Theatre), Old Man and the Sea (Long
Wharf Theatre) Vices: A Love Story (Caldwell
Theatre), Where I Come From (Kentucky Rep.)
Film: Alien Dawn (Nickelodeon), 666 Park Avenue (ABC), Boardwalk Empire (HBO).
Courtney Romano (Callie) NYC: My Hero in
Concert (XL Cabaret). Regional credits include:
The Drowsy Chaperone, Janet van de Graaff (Connecticut Repertory Theatre, starring Pat Sajak);
Kiss Me, Kate, Lois Lane (Glimmerglass Opera,
directed by Diane Paulus); Thoroughly Modern
Millie, Millie Dillmount (Media Theatre, Barrymore Award Nominee for Outstanding Lead
Actress in a Musical); A Chorus Line, Legally
Blonde, Sunset Boulevard, 42nd Street (Maine
State Music Theatre); High School Musical 2, 42nd
Shabazz Green (A-Dogg) Regional credits Street (North Shore Music Theatre). Muhlenberg
include: Humbug at Kean Premiere Stages, Com- College. AEA. courtneyromano.com.
plete History of America Abridged and Epic Proportions at the Winnipesaukee Playhouse in New Tally Sessions (Luther) Broadway: Big Fish, The
Hampshire, and Midnight Madness for the New House of Blue Leaves. Tours: South Pacific, Legally
York Musical Theatre Festival. He most recently Blonde, Dirty Rotten Scoundrels. Off-Broadway:
completed the national tour of How I Became a Giant (Public Theatre), Queen of the Mist (Transport
Group), Yank! (York), The Mad Show (York), Anyone
Pirate with the Omaha Theatre Company.
Can Whistle (Encores!), Godspell. Regional: GoodBruno Iannone (The Don) New York highlights: speed Opera House, The Muny, The Old Globe,
Bruno Gadenza in Vesey Street, Clint in Mam- Signature Theatre, Westport Country Playhouse,
maw’s Apron, Tony D’Angelo in Chance, Gabri- Paper Mill Playhouse, Pioneer Theatre, Arvada Cenel in Valentino’s Wing, Louis in The Gravedig- ter. TV: “Elementary.” Recordings: Big Fish, Yank,
ger’s Tale, Antoni in The Iris Picker, Salvy in The Giant, Queen of the Mist. Awards: Florida’s CarHead Hunter. TV/Film: Tiramisu (premiered bonell Award (twice), Denver’s Henry Award.
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David Demato (Eddie) spent over three years in
the Las Vegas company of Jersey Boys. New York
credits include Anatomy of Woman (Lincoln
Center-Clark Studio Theatre), My Big Gay Italian Funeral (St. Luke’s), The Winter’s Tale Project
(FringeNYC), and The Time of Mendel’s Trouble
(Beckett-Theatre Row). Regional: The Full Monty,
Sweeney Todd, You’re a Good Man, Charlie
Brown, Forever Plaid: Plaid Tidings. Film: Man
on Wire.
W h o’ s W h o
Deborah Tranelli ( Joanie) NYC: On The Record
(Stage 72) Hereafter (Theatre 80), Levittown
(St. Clements), Brother, Can You Spare a Dime?
(Triad), Jungle Queen Debutante (NYMF), newyorkers (MTC), Tallulah’s Party (Kaufman) &
more. Tour: Company, Mamaleh. Regional: A
Little Princess, Hairspray, Food Chain, Full
Monty, Sound of Music, Dames At Sea, Sweeney
Todd, 1776, Baby, 42nd Street, Man Of La Mancha & more. Television/Film: Dallas (Phyllis 11
seasons), Law & Order, Three’s Company, Hart
to Hart, Murder in Manhattan, Dance For One
(indie) & more. Concerts: Carnegie Hall, Town
Hall, Kennedy Center, Lyrics & Lyricists & 100+
venues in the US. Backstage Bistro Award for solo
CD, A Lot of Livin’. Proud graduate of Northwestern University and member AEA. For my
father.
Liz & Barry Peak (Playwrights/Directors) are
producers and exhibitors in the Australian film
industry. Philosophy For Gangsters is our first production in New York. The play is set in a criminal
environment with established mores and traditions, and Australian crime cannot even loosely
be described as organized. The options were Sicily,
Moscow, Tokyo and New Jersey. We don’t speak
Italian, Russian or Japanese, but have passable
English, so here we are across the Hudson from
the “Sopranos.” The play is a comedy that throws
various popular culture myths, story forms and
memes into a Mafia melting pot and subverts
them. Maybe it has something to say about the
transformative potential of the media, too. But
let’s not get too serious.
Kristine Schlachter (Assistant Stage Manager)
Recent productions include: It’s A Wonderful
Life: A Live Radio Play (Harbor Lights Theatre
Company), Cyrano De Bergerac, Caucasian Chalk
Circle (Waterwell Drama Program at PPAS), The
Great Society (York Shakespeare Company), Swiss
Family Robinson (NYMF 2013), There’s a Ligth on
Yonder Mountain (Amios & Horse Trade),Fireflies
the musical (DR2 Theatre), Bumbug, Bumbug
Unplugged (LAUGHistan Productions), Billy
Witch, The Secret Garden(Astoria Performing
Arts Center), Suds, The 39 Steps, Nunsense Jamboree, Greater Tuna, Church Basement Ladies
(Mountain Playhouse). BFA: Stage Management,
Syracuse University. Special thanks to my family
for all your support.
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Tom White (Willie May) NYC: Bike America
(Ma-Yi / Ensemble Studio Theater), Spring at the
Willowbrook Inn (The Wild Project). Regional
Credits: Bike America (Alliance Theater); Emma,
Inherit the Wind, Angels in America, Arcadia,
Autobahn, All’s Well That Ends Well (Cleveland
Playhouse); The Merry Wives of Windsor, You
Can’t Take It With You (Great Lakes Theater
Festival); Dream/Home, Matt and Ben, This is
Our Youth, The Death of Frank, Heaven and Hell
(Dobama Theater). Television: “The Good Wife”
(CBS), “Gossip Girl” (CW). Tom was a core artist
in Hendricks Gin’s “Voyage to the Unusual” that
toured the US. MFA from the CWRU / Cleveland Playhouse Acting Program.
Jessa Nicole Pollack (Production Stage Manager). NYC: The Awake (kef), Women of Will
(Gym at Judson), Songs For A More Funnier
World (NYMF), Billy Witch, The Secret Garden
(APAC), Chekhovek (ArcLight), Friends and
Relations (June Havoc Theatre), Langston in Harlem (Urban Stages), Reasons to be Pretty, Spain
(MCC), First Prize (kef), Mimi le Duck (with
Eartha Kitt), Picking Palin (2010 NY Fringe
Festival). Workshops and Readings include The
Black Suits (MCC), Red Clay (NAMT), Tina
Girlstar (Olympus), and Island Song (kef/Libra).
Other New York credits include the Drama Desk
Awards, Nightlife Awards, Broadway Backwards,
and The Late Show with David Letterman. Graduate of Indiana University.
Adam Fitzgerald (General Manager) is the Artistic Director of kef theatrical productions and
a founding partner of FIFTY2&NINE. General Management credits include Tina Packer’s
Women of Will, Michelle Clunie’s US, Wendy
Beckett’s Love Therapy, A Charity Case and
Modotti. Selected NYC directing credits include
The Awake (The NY Times Critics’ pick) Methtacular! (TimeOut NY critics pick), Killing Women
and Lyric is Waiting (all with kef); Getting the
Business and Dish for the Gods (Rachel Reiner Productions) the Town Hall concert event A Heart
Full of Love (Ali Ewoldt and Adam Jacobs), and
a Directing Fellowship at Playwrights Horizons.
Regional directing credits include John Patrick
Shanley’s Defiance at Playhouse West (Critics Circle Award noms, Director, Production) and San-
W h o’ s W h o
taland Diaries at the Home Made Theater. With
FIFTY2&NINE, Adam wrote and directed the
winning PSA for the “Think B4 You Speak” campaign (GLSEN, TalentHouse, Brett Ratner), and
directed and co-wrote the GWIST web series,
Conversations W/ My Ex. www.directorfitz.com
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Julia Noulin-Mérat (Scenic Design) is the principal designer at Noulin-Mérat Studio, an intrepid
New York design firm that has designed over 200
productions for opera, film, television, and site
specific immersive theatre. She is the Associate
Producer at Boston Lyric Opera, the Director of
Design and Production for the Boston-based, Guerilla Opera, and is the resident designer for New
York companies Attic Theater and Exit, Pursued
By a Bear. Her studio has created environments
for the New York Aquarium, the Bronx Zoo, The
Intrepid and Times Square. Her theatre work
includes Moonchildren, Dark Rapture, The Argument, The Tutors with the Attic Theater; Penelope
of Ithaca, November, Rocky Horror Show with The
Hangar Theatre; Dani Girl, King Lear, Lesser Mer-
cies, Arok of Java, The Further Adventures of Hedda
Gabler with Exit, Pursued by a Bear, and These
Seven Sicknesses, Restoration Comedy with the Flea
Theatre. For more visit www.noulinmerat.com
Sarah Rose (Costume Design) received her MFA
from the University of California, San Diego
in Costume and Lighting Design. Her work has
been seen throughout London, the East Coast and
California in stage and film productions. Sarah’s
costume credits include: Shakespeare’s Queens
(Art’s Theatre, West End), Totally Tubular Time
Machine (Off-Broadway), The Trial of Murderous
Mary (Kimmel Center, Phil.), South Pacific (Summer Theatre of New Canaan), Grease (STONC),
A Man of No Importance (Gallery Players—2012
Nominee for Best Production), Blood Privilege—
World and UK Premier (Second Skin Theatre,
NYC and London), Days of the Commune (White
Bear, London), Revenger’s Tragedy (UCSD—
Directed by Christopher Ashley), Kasimir and
Karoline (UCSD), Mighty Morphing Power Rangers: Blue Ranger Fan Film, The 39 Steps US Tour—
W h o’ s W h o
Assist. Costume Designer (La Jolla Playhouse),
FOX’s Us and Them—Costume Coordinator.
Other accolades: Nominee for Best Design 2014
by the International Academy of Web Television.
Carl Wiemann (Lighting Design) is a lighting
designer for theater, dance, opera, and architecture. He was a member of the 2011 Lincoln Center Theater Directors Lab, he is the lighting director for dance company The Chase Brock Experience, and he is a founding member of Exit Pursued
by a Bear. In 2009, Carl founded Sense Lighting
Design, a consultancy in architectural and exhibit
lighting design specializing in high-end retail, residential, hospitality, and gallery projects. Beyond
the architectural realm, Sense partners with artists and creative agencies to develop branding
experiences, exhibit designs, fine art engagements,
and temporary installations. Carl is a member of
the Board of Directors of the Designers’ Lighting Forum (DLFNY), a 79 year old organization
devoted to promoting the power of light in design.
More project info at carlwiemann.com.
and Darwin’s Wife (World Premiere in Japan).
Staab is the resident sound designer at the Eugene
O’Neill National Playwrights Conference. BA:
Oberlin College; MFA: U of I - Krannert Center.
www.florianstaab.com
Bart Cortright (Projection Design) is a NYCbased theatre designer. Recent work includes:
The Old Man and the Old Moon (Writers’ Theatre, Gym at Judson Church), All the Rage
(Playwrights Horizons, Two River), Charlatan
(Ars Nova), Eggs by Adam Rapp (NYU), La
Brea, Baby Screams Miracle (Clubbed Thumb),
Barbarous Nights (Invisible Dog), Party in the
USA(Incubator Arts Project), Illustrated Man (St.
Ann’s Warehouse). Animation and Assistant work
includes A Gentlemen’s Guide to Love and Murder, Here Lies Love, Last Five Years, Bring it On,
Magic/Bird, Newsies.
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Lauren Genutis (Properties Design) studied fine
art at School of Visual Arts. She now works as a
freelance sculptor specializing in prop fabrication,
and set dressing/property design for photograM. Florian Staab (Sound Design and Original phers, advertising and entertainment companies.
Music) Recent credits include: The Freedom of the She also sculpts for fashion designer Asher Levine
City, Juno and the Paycock and Beyond the Horizon creating unique relief pieces incorporated in his
(Irish Rep); Midsummer Night’s Dream (Classic high end menswear. Lauren taught high school
Stage Company); The Rivals (CENTERSTAGE); art in the Bronx for six years.
The Indifferent Lover (Greenwich Music Festival);
The Old Boy (Keen Company); Out of Iceland Liz Sherrier (Associate Scenic Design) joined
(Culture Project); The Suitcase Opera (Belfast, the Noulin-Mérat Studio in August 2012 and has
Ireland); A Bright New Boise (Partial Comfort); since been working on over 35 projects includDie Winterreise (Chicago Opera Vanguard); ing Boo at the Zoo, Ascarium at NY Aquarium,
Piece Of My Heart and Tina Girlstar (New York La Descente d’Orphée aux Enfers with Gotham
Stage and Film); Blueprints of Relentless Nature Chamber Opera, BlueBeard’s Castle at Opera
W h o’ s W h o
Omaha, Goosebump’s 20th Anniversary, Restoration Comedy at the Flea Theater, Drama League,
The Man Under at 59E59, The Notebook of Trigorin and The Mnemonist of Dutchess County at the
Attic Theater Company, Clemency at Boston Lyric
Opera, Candide at Amarillo Opera, South Pacific
at STONC, etc. Previous assistantships include
the Bold & Beautiful on CBS, Big Love at Northeastern University. She holds a BS from Northeastern University in architecture.
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Alexandria Hoffman (Assistant Costume
Designer) Off Broadway: One Night, Jessica Jahn;
F#%ng Up Everything, Melissa Trn; Totally Tubular Time Machine, Sarah Cogan. Other: Bubble
Boy, Liz Groth; Milliner Assistant to Corrina
Griffin for Radio City’s Christmas Spectacular,
Costume Administrator at Glimmerglass Theater Festival. MA NYU Visual Culture: Costume
Studies; BA UCSB History and Theater, emphasis
Costume Design.
Cindy Wukmir (Assistant Costume Designer)
was born in California in 1985. She graduated
from Rutgers University with a BA in Sociology
and Religion and received a MFA in Creative
Nonfiction from Sarah Lawrence College. She
has worked as a Costume and Wardrobe assistant, Shopper, professional Jerry rigger, Bedazzler,
Finger Maker, Spray Painter, and Jill-of-all-trades.
Sarah Cogan rules!
The Pekoe Group (Marketing/Advertising) is a
full-service advertising and marketing company
for theatrical events and attractions, specializing
in niche marketing and tailor-made strategic campaigns based on each event’s target demographic.
Clients include Mint Theater Company, Second
Stage Theatre, TACT, Peter And The Starcatcher,
Natasha Pierre And The Great Comet of 1812, Murder For Two, Riding The Midnight Express with
Billy Hayes, Brooklyn Botanic Garden, Philosophy
For Gangsters, and more. www.thepekoegroup.com
We Are The Music • www.SussexMusicHouse.com
Video Cast:
Renee Claire Bergeron (Cultural Expert)
Kim Berk (Newsreader)
Tony Dadika (Major)
Peter Davenport (Newsreader)
Milena Davila (Wanda)
Jordan Scott Gilbert (Freddy the double-crossing waiter)
Stacy Harris (Cynthia)
Kris Hayes (Student)
Gayle Holsman (Forensic Philosopher)
Todd Alan Johnson (Academic Colleague)
Andy Lindberg (Hipster)
Jason Scott Quinn (Sitcom Slob)
David Sitler (Geissler)
Rick Zahn (Interviewer)
Master Electrician: Jake Platt
Costume Design Assistants:
Alexandria Hoffman and Cindy Wukmir
Associate Scenic Designer: Liz Sherrier
Properties Master: Lauren Genutis
Assistant Stage Manager: Kristine Schlachter
Wardrobe Supervisor: Gigi Barreca
Scenic Design Intern: Jazmine Harper-Davis
General Management intern: Jeremy Bohmstein
Staff at Theatre Row Studios
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In the event of fire, please proceed quietly to the nearest
exit. Exits are located where you entered the theater
complex and at the back of the stage, which you can reach by walking through any opening in the scenery or drapes on stage.
This theater is operated by Theatre Row Studios and 42nd Street Development Corporation as a service to individuals and
companies who do not have their own performance spaces. This presentation is not a Theatre Row Studios or 42nd Street
Development Corporation production, nor does its presentation in this theater imply approval or sanction by either Theatre
Row Studios or 42nd Street Development Corporation. The use of cameras and other recording devices in this theater is prohibited
by law. There is no smoking anywhere in this theater or in the theater complex, including lobby, stairways and restrooms.
Erika Feldman - Managing Director
Shawn Murphy - Associate Managing Director
Keith Adams - Technical Director
Geoffrey Bryant, Michael Lounsbery, Matthew Weiss - Assistant Technical Directors
Sarah Underwood – Box Office Manager
Drew Overcash – Assistant Box Office Manger
Amanda Finch, Nigel Harsch, Erin Hunsader, Karon Karr, Johnese Wilson - Box Office Staff
Jack Donoghue, Brooke Elsinghorst - House Managers
Thom Caska, Jason Stanley - Studio Managers
TheatreRow.org
410 West 42nd Street, New York, NY 10036
Actors’ Equity Association (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United
States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity
negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA
is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The
Equity emblem is our mark of excellence. www.actorsequity.org
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calendar
The Accidental Pervert
Fridays & Saturdays at 7 p.m.
Angelina Ballerina
Vital Theatre Company
now playing!
Fancy Nancy
Vital Theatre Company
now playing!
Pinkalicious the Musical
Vital Theatre Company
now playing!
Philosophy for Gangsters
Rotten Apples Theatrical llc
February 1–March 1
The Chocolate Show
Golly Gee Productions, llc
February 1–April 6
The Cherry Orchard
Nicu’s Spoon
February 3–February 9
Blood Sky
T. Schreiber Studio
February 26–April 6
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