Full Text
... Grimace, Magister Grimache, Grymace A late fourteenth-century composer of five surviving attributed French-texted formes fixes songs: three balades, one virelai and one rondeau. Grimace’s identity is unknown and it seems likely that his name, like that of other composers of the period (Solage, Zacar ...
... Grimace, Magister Grimache, Grymace A late fourteenth-century composer of five surviving attributed French-texted formes fixes songs: three balades, one virelai and one rondeau. Grimace’s identity is unknown and it seems likely that his name, like that of other composers of the period (Solage, Zacar ...
Международный отдел • International Division
... hidden dimension of sound and, thus, quite appropriate for depicting outer space and the cosmic dimension. The music is greatly enhanced by certain episodes with elements of more recognizable diatonic harmonies and allusions to classical musical instruments, most notably, the organ. “Intermezzo” is ...
... hidden dimension of sound and, thus, quite appropriate for depicting outer space and the cosmic dimension. The music is greatly enhanced by certain episodes with elements of more recognizable diatonic harmonies and allusions to classical musical instruments, most notably, the organ. “Intermezzo” is ...
Lam_ku_0099D_14771_DATA_1 - KU ScholarWorks
... Cyril Ehrlich, The Piano: A History (New York: Oxford University Press, 1990), 9. ...
... Cyril Ehrlich, The Piano: A History (New York: Oxford University Press, 1990), 9. ...
Press
... “At expansive yet highly flexible tempos, and with painstakingly sculpted phrasing, Lin honored the composer’s musical architecture as much as his singing line, setting some breathtakingly played upper-string melodies against a throaty earthiness in the lower strings.” The Washington Post Tsontakis ...
... “At expansive yet highly flexible tempos, and with painstakingly sculpted phrasing, Lin honored the composer’s musical architecture as much as his singing line, setting some breathtakingly played upper-string melodies against a throaty earthiness in the lower strings.” The Washington Post Tsontakis ...
Modern harmony, its explanation and application - DMU
... a deprecatory wave of the hand The whole of musical history the initial rejection and later triumph of Monteverde and Gluck, of Bach and Beethoven, Wagner and Strauss warns one against the too easy acceptance of the neatly turned epithets of persons who are too indolent to understand, or too indiffe ...
... a deprecatory wave of the hand The whole of musical history the initial rejection and later triumph of Monteverde and Gluck, of Bach and Beethoven, Wagner and Strauss warns one against the too easy acceptance of the neatly turned epithets of persons who are too indolent to understand, or too indiffe ...
Chopin
... In the present study I would like to point out another "futuristic" aspect of Chopin's œuvre: structural coherence understood as a latent logic of the unity in multiplicity. Studies of transformational changes in Chopin's style (c.f. Gołąb 1993, Tuchowski 1996) reveal that structural coherence achi ...
... In the present study I would like to point out another "futuristic" aspect of Chopin's œuvre: structural coherence understood as a latent logic of the unity in multiplicity. Studies of transformational changes in Chopin's style (c.f. Gołąb 1993, Tuchowski 1996) reveal that structural coherence achi ...
CHAPTER 4
... • Intended to teach church singers how to improvise polyphonic music on the spot—to take a given Gregorian chant and make it sound more splendid by adding one or more lines around it. ...
... • Intended to teach church singers how to improvise polyphonic music on the spot—to take a given Gregorian chant and make it sound more splendid by adding one or more lines around it. ...
The Impact of Russian Music in England
... themselves had been in a similar position forty years or so earlier in wanting to distance themselves from the ‘Italianate’ style that had troubled their stylistic self-expression since the early eighteenth century and it appeared to many that they had been successful. Russia seemed an ideal role mo ...
... themselves had been in a similar position forty years or so earlier in wanting to distance themselves from the ‘Italianate’ style that had troubled their stylistic self-expression since the early eighteenth century and it appeared to many that they had been successful. Russia seemed an ideal role mo ...
A Study in Performance Practice of George
... Beethoven Français Onslow had often complained that his music was misunderstood by his fellow countrymen. Rochlitz, reviewing his first piano sonata Op. 2 in the Allgemeine Musikalische Zeitung in 1818 describes Onslow’s music as being German in nature.2 The comparison to Beethoven by the public was ...
... Beethoven Français Onslow had often complained that his music was misunderstood by his fellow countrymen. Rochlitz, reviewing his first piano sonata Op. 2 in the Allgemeine Musikalische Zeitung in 1818 describes Onslow’s music as being German in nature.2 The comparison to Beethoven by the public was ...
1875 oil painting by Wilhelm August Rieder, after his
... later came to be known as the "Great") to the Gesellschaft der Musikfreunde and received an honorarium in return.[51] In the spring of 1828, he gave, for the only time in his career, a public concert of his own works, which was very well received.[52] The compositions themselves are a sufficient bio ...
... later came to be known as the "Great") to the Gesellschaft der Musikfreunde and received an honorarium in return.[51] In the spring of 1828, he gave, for the only time in his career, a public concert of his own works, which was very well received.[52] The compositions themselves are a sufficient bio ...
Clara Wieck-Schumann: Piano Trio in G minor, Op. 17, movement 1
... Clara Wieck-Schumann: Piano Trio in G minor, Op. 17, movement 1 (for component 3: Appraising) Background information and performance circumstances The composer Clara (Wieck) Schumann was born in Leipzig, Germany, in 1819 and died in Frankfurt in 1896. She was best known in her lifetime as a concert ...
... Clara Wieck-Schumann: Piano Trio in G minor, Op. 17, movement 1 (for component 3: Appraising) Background information and performance circumstances The composer Clara (Wieck) Schumann was born in Leipzig, Germany, in 1819 and died in Frankfurt in 1896. She was best known in her lifetime as a concert ...
652KB - Drum Corps United Kingdom
... demonstrated. Physical environments also include the impact of weather and field conditions. Training needs to be evident and compatible with the skills required and challenges presented to the performer. ...
... demonstrated. Physical environments also include the impact of weather and field conditions. Training needs to be evident and compatible with the skills required and challenges presented to the performer. ...
Music of the Middle Ages – Chant after 1000 AD
... Chant and the forms which evolved from variations and manipulations of chant, the late Middle Ages became identified with the gradual widespread popularity of secular music. Secular music, which will be formally discussed in Secular Music of the Middle Ages, began with monophonic songs with possible ...
... Chant and the forms which evolved from variations and manipulations of chant, the late Middle Ages became identified with the gradual widespread popularity of secular music. Secular music, which will be formally discussed in Secular Music of the Middle Ages, began with monophonic songs with possible ...
Twelve-Tone Technique.qxd
... As you can see by now, the twelve-tone technique provides endless compositional possibilities, while at the same time establishing fundamental principles for the creation of atonal music. It is important to note at this point that the Schoenberg's twelve-tone technique does not have to become an abs ...
... As you can see by now, the twelve-tone technique provides endless compositional possibilities, while at the same time establishing fundamental principles for the creation of atonal music. It is important to note at this point that the Schoenberg's twelve-tone technique does not have to become an abs ...
Haydn and the Horn
... worked closely with eighteen individual horn players and wrote for them with a clear awareness of their skills and abilities. He was thus able to develop a profound understanding of the instrument that enabled him to write horn parts that are not only idiomatic but frequently exploit the full potent ...
... worked closely with eighteen individual horn players and wrote for them with a clear awareness of their skills and abilities. He was thus able to develop a profound understanding of the instrument that enabled him to write horn parts that are not only idiomatic but frequently exploit the full potent ...
Thomas Morley, A Plaine and Easie Introduction to Practicall
... Item held in the Reserve Collection, University of Reading Library Special Collections This month’s featured item is the Library's first edition of Thomas Morley’s A Plaine and Easie Introduction to Practicall Musicke (1597). As well as being the most famous musical treatise in the English language ...
... Item held in the Reserve Collection, University of Reading Library Special Collections This month’s featured item is the Library's first edition of Thomas Morley’s A Plaine and Easie Introduction to Practicall Musicke (1597). As well as being the most famous musical treatise in the English language ...
ROMANTIC AND IMPRESSIONIST STYLE IN THE HARP
... Tournier, who bridged the gap between French Romanticism and Impressionism in the harp music of the early twentieth century.1 Among the French masters who wrought important changes in musical style during this time, Marcel Tournier played a crucial role with respect to harp repertoire. This study wi ...
... Tournier, who bridged the gap between French Romanticism and Impressionism in the harp music of the early twentieth century.1 Among the French masters who wrought important changes in musical style during this time, Marcel Tournier played a crucial role with respect to harp repertoire. This study wi ...
Facial expression and piano performance
... body and facial expressions of pianists during their performances, have shown that there is a specific relation between non verbal expressions and music structure. We tried to compare the value of single facial action unit movements– such as eyebrow raising and frowning – found in our observations, ...
... body and facial expressions of pianists during their performances, have shown that there is a specific relation between non verbal expressions and music structure. We tried to compare the value of single facial action unit movements– such as eyebrow raising and frowning – found in our observations, ...
54 - Alkan Society
... remarkably accurate, given that this was a live performance and completely unedited, like all Husum discs. However, the occasionally jerky rhythm and extreme dynamics may not be to everyone's taste. Remembering that Ravel was portraying a decadent Viennese society rather than taking an affectionate ...
... remarkably accurate, given that this was a live performance and completely unedited, like all Husum discs. However, the occasionally jerky rhythm and extreme dynamics may not be to everyone's taste. Remembering that Ravel was portraying a decadent Viennese society rather than taking an affectionate ...
PACOTE 7.indd - Portal de Periódicos da UnB
... thirty years.1 Shortly after its premiere, Ginastera’s first piano sonata was incorporated into the standard piano repertory, becoming one of his most widely performed works. With respect to the musical language used in this sonata, Ginastera asserts rather abstractly: “the composer does not employ ...
... thirty years.1 Shortly after its premiere, Ginastera’s first piano sonata was incorporated into the standard piano repertory, becoming one of his most widely performed works. With respect to the musical language used in this sonata, Ginastera asserts rather abstractly: “the composer does not employ ...
Concerto for Violin and Orchestra
... movements played without pause. This connection has been the exception, rather than the rule, for the concerto literature in previous centuries. Solo violin concertos by Mendelssohn (Op. 64, 1844) and Glazunov (Op. 82, 1904), the Saint-Saens’ Cello Concerto No. 1 in A minor (Op. 33, 1872) and the Li ...
... movements played without pause. This connection has been the exception, rather than the rule, for the concerto literature in previous centuries. Solo violin concertos by Mendelssohn (Op. 64, 1844) and Glazunov (Op. 82, 1904), the Saint-Saens’ Cello Concerto No. 1 in A minor (Op. 33, 1872) and the Li ...
The 23 Greatest Solo Piano Works
... the three composers who, more than any others, defined the piano as we understand it today: Frédéric Chopin, Franz Liszt, and Claude Debussy. These lectures do focus on a single work or set of works—respectively, Chopin’s Ballade in G Minor, Liszt’s Years of Pilgrimage, and Debussy’s Préludes, Book ...
... the three composers who, more than any others, defined the piano as we understand it today: Frédéric Chopin, Franz Liszt, and Claude Debussy. These lectures do focus on a single work or set of works—respectively, Chopin’s Ballade in G Minor, Liszt’s Years of Pilgrimage, and Debussy’s Préludes, Book ...
Clara Schumann - The Kapralova Society
... sharing musical ideas, and sometimes quoted one another in their works.22 Several years later, in one of his letters to Clara, Robert wrote: "You complete me as a composer, as I do you. Every thought of yours comes from my soul, just as I have to thank you for all my music." 23 The most ambitious co ...
... sharing musical ideas, and sometimes quoted one another in their works.22 Several years later, in one of his letters to Clara, Robert wrote: "You complete me as a composer, as I do you. Every thought of yours comes from my soul, just as I have to thank you for all my music." 23 The most ambitious co ...
the solo piano music of Christian Wolff
... phrases and restricted densities. Each piece lasts only three bars, which are spaced across the page consistently, spanning only the lower portion of each page. However, tempi are different for each so though they cover the same amount of notation space, they are not consistent with regard to durat ...
... phrases and restricted densities. Each piece lasts only three bars, which are spaced across the page consistently, spanning only the lower portion of each page. However, tempi are different for each so though they cover the same amount of notation space, they are not consistent with regard to durat ...
Absolute pitch correlates with high performance on
... musical benefits of AP arises from its association with early age of onset of musical training. As Miyazaki and Rakowski (2002) have pointed out, any musical advantage that may be enjoyed by AP possessors could be due to early onset of musical training or long duration of musical training (see also ...
... musical benefits of AP arises from its association with early age of onset of musical training. As Miyazaki and Rakowski (2002) have pointed out, any musical advantage that may be enjoyed by AP possessors could be due to early onset of musical training or long duration of musical training (see also ...