1 CHAN 10807 – SCHUBERT Schubert: Works for Solo Piano
... Schubert (1797 – 1828) was a fantasy (for piano duet) and his last piece of this type dates from his final year (the Fantasy in F minor, again for piano duet). In the interim he returned to the form several times, not always finishing what he began. From the start he was probably seduced by the non- ...
... Schubert (1797 – 1828) was a fantasy (for piano duet) and his last piece of this type dates from his final year (the Fantasy in F minor, again for piano duet). In the interim he returned to the form several times, not always finishing what he began. From the start he was probably seduced by the non- ...
MASTER OF MUSIC Piano Pedagogy 34 Semester Hours
... Comprehensive Exit Examination This will be an oral examination, approximately one hour in length, with demonstration at the keyboard when applicable. The examination committee will include three members of the piano faculty, one of whom is the student’s private teacher, and one of whom is the piano ...
... Comprehensive Exit Examination This will be an oral examination, approximately one hour in length, with demonstration at the keyboard when applicable. The examination committee will include three members of the piano faculty, one of whom is the student’s private teacher, and one of whom is the piano ...
Igor Stravinsky Born: June 17, 1882, Oranienbaum, Russia Died
... this is not clear. Ever since it appeared in our vocabulary, the word "dissonance" has carried with it a certain odor of sinfulness. Let us light our lantern: in textbook language, dissonance is an element of transition, a complex or interval of tones that is not complete in itself and that must be ...
... this is not clear. Ever since it appeared in our vocabulary, the word "dissonance" has carried with it a certain odor of sinfulness. Let us light our lantern: in textbook language, dissonance is an element of transition, a complex or interval of tones that is not complete in itself and that must be ...
20th Century Music National 5
... 4 (a) What is meant by the term ‘reverb?’ _____________________________ ______________________________________________________________ ______________________________________________________________ (b) State the names of two instruments which can perform with reverb during a live performance (i.e. n ...
... 4 (a) What is meant by the term ‘reverb?’ _____________________________ ______________________________________________________________ ______________________________________________________________ (b) State the names of two instruments which can perform with reverb during a live performance (i.e. n ...
What Classical Music Is
... improvisation, etc originating in black American folk music” That’s a little sketchy—and again they fall back on that baffled “etc”—but at least it names things characteristic of jazz, something none of the classical music definitions do for classical music. Or compare this definition of jazz, from ...
... improvisation, etc originating in black American folk music” That’s a little sketchy—and again they fall back on that baffled “etc”—but at least it names things characteristic of jazz, something none of the classical music definitions do for classical music. Or compare this definition of jazz, from ...
Introducing MANTRA
... through the air. These were no ordinary concerts, more like open master classes in advanced method acting for musicians. For the previous ten years, after travelling to America and being introduced to the inspired conversational music-making of John Lewis, the Modern Jazz Quartet, and Count Basie a ...
... through the air. These were no ordinary concerts, more like open master classes in advanced method acting for musicians. For the previous ten years, after travelling to America and being introduced to the inspired conversational music-making of John Lewis, the Modern Jazz Quartet, and Count Basie a ...
A Simple Musical (and some Technology) Glossary
... and keys and scales (rather than modes). Later, it became a forum for the development of instruments, and doing complicated arrangements of chord notes by allocating them to instrumental parts. The composers of this period did not see themselves as ‘Baroque’ which meant vulgar, this title was given ...
... and keys and scales (rather than modes). Later, it became a forum for the development of instruments, and doing complicated arrangements of chord notes by allocating them to instrumental parts. The composers of this period did not see themselves as ‘Baroque’ which meant vulgar, this title was given ...
1 - IgniteArt
... appeal more to personality and emotions rather than fitting in more of a structured form within boundaries. The melodies are more chromatic and significantly more lyrical and song-like than any of its other orchestral counterparts. Sharp contrasts in dynamics were also introduced within the genre to ...
... appeal more to personality and emotions rather than fitting in more of a structured form within boundaries. The melodies are more chromatic and significantly more lyrical and song-like than any of its other orchestral counterparts. Sharp contrasts in dynamics were also introduced within the genre to ...
Cyclical Structures and the Organisation of Time Bryn Harrison
... over the last five years, to deal with musical time on a moment to moment basis and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examples from selected pieces, I will examine the main aspects of my musical ...
... over the last five years, to deal with musical time on a moment to moment basis and how this aesthetic concern has led to a largely non-goal orientated approach to form and structure. In order to do so and by using specific examples from selected pieces, I will examine the main aspects of my musical ...
Haydn: Symphony No. 26 in D minor, `Lamentatione`: Movement I
... was written in C (without key signature); so in our movement, with horns in D, written C sounds as D – a minor seventh below. • In the F major part of the Exposition, Haydn avoids horns altogether. Neither concert F (the tonic) nor C (the dominant) was among the notes available to him. Cembalo The a ...
... was written in C (without key signature); so in our movement, with horns in D, written C sounds as D – a minor seventh below. • In the F major part of the Exposition, Haydn avoids horns altogether. Neither concert F (the tonic) nor C (the dominant) was among the notes available to him. Cembalo The a ...
An Introduction to Contemporary Music - Machlis
... b) moving from one key to another creates a dramatic opposition between two tonal areas (1) movement from a “home key” to a contrasting key and back came to be a fundamental pattern of musical structure - statement/departure/return (2) tension between the home key and modulation to a foreign key was ...
... b) moving from one key to another creates a dramatic opposition between two tonal areas (1) movement from a “home key” to a contrasting key and back came to be a fundamental pattern of musical structure - statement/departure/return (2) tension between the home key and modulation to a foreign key was ...
Impressionism
... •Dymanics: often in soft or very soft regions •Orchestration •Human voice used as another color in the instrumental palette B.Debussy’s Unique Harmony •Chords chosen not for function, but beauty/effect •Chords in parallel motion •Use of whole-tone scale 1. Six (6) notes per octave 2. Symmetrical Sca ...
... •Dymanics: often in soft or very soft regions •Orchestration •Human voice used as another color in the instrumental palette B.Debussy’s Unique Harmony •Chords chosen not for function, but beauty/effect •Chords in parallel motion •Use of whole-tone scale 1. Six (6) notes per octave 2. Symmetrical Sca ...
Haydn was the second son of humble parents. His father
... While in London in 1791, Haydn had been deeply moved by the performance of George Frideric Handel’s masterly oratorios. Deciding to compose further works in this genre, he obtained a suitable libretto, and, after settling in Vienna and resuming his duties for Prince Esterházy, he started work on the ...
... While in London in 1791, Haydn had been deeply moved by the performance of George Frideric Handel’s masterly oratorios. Deciding to compose further works in this genre, he obtained a suitable libretto, and, after settling in Vienna and resuming his duties for Prince Esterházy, he started work on the ...
"Clavichord Music of Johann Kuhnau and CPE Bach" Joan Benson
... Emanuel Bach's rondos are more variable harmonically and thematically, less propulsive, and formally more amorphous than the rondos of Haydn and Mozart. In a deliberate rejection of high-Classic structural principles and for the sake of a more personal expression, he often chose to present the rondo ...
... Emanuel Bach's rondos are more variable harmonically and thematically, less propulsive, and formally more amorphous than the rondos of Haydn and Mozart. In a deliberate rejection of high-Classic structural principles and for the sake of a more personal expression, he often chose to present the rondo ...
Stella Program Outline WEB - Eya: Ensemble for Medieval Music
... Mary commonly bequest that she work on our behalf. There is no shortage of repertoire that is related to or in praise of Mary. However, this program creates a focus upon the particular image of Mary as a guiding star, exploring the connection of the human spirit to the celestial God-realm via this u ...
... Mary commonly bequest that she work on our behalf. There is no shortage of repertoire that is related to or in praise of Mary. However, this program creates a focus upon the particular image of Mary as a guiding star, exploring the connection of the human spirit to the celestial God-realm via this u ...
File - Eric Matthews` Efolio
... also had their own genres with some meisterlieder and quodlibet. Iberia had two principle types of music, the romance and the villancico. The Franco-Netherlands (Flemish) also contributed many of the greatest composers of the Renaissance. Genres During the Renaissance, a lot of genres were presente ...
... also had their own genres with some meisterlieder and quodlibet. Iberia had two principle types of music, the romance and the villancico. The Franco-Netherlands (Flemish) also contributed many of the greatest composers of the Renaissance. Genres During the Renaissance, a lot of genres were presente ...
Debussy
... Claude Debussy: Prélude à L’Après-midi d’un Faune French composer: Claude Debussy (1862-1918), linked the romantic era with the twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the endu ...
... Claude Debussy: Prélude à L’Après-midi d’un Faune French composer: Claude Debussy (1862-1918), linked the romantic era with the twentieth century. His works are associated with the impressionistic movement in art by their invocation of mood, color, and fluidity. While impressionism has been the endu ...
Wolfgang Amadeus Mozart
... After his death there were rumours that he was murdered by the Italian composer Antonio Salieri, who was jealous of his genius. However this theory is not supported by the majority of the historians. Mozart had an unsuccessful career and died young. But he is one of the greatest geniuses of West ...
... After his death there were rumours that he was murdered by the Italian composer Antonio Salieri, who was jealous of his genius. However this theory is not supported by the majority of the historians. Mozart had an unsuccessful career and died young. But he is one of the greatest geniuses of West ...
Music and Ideology in the Nineteenth Century
... It seems probable that Western culture has from its beginnings been characterized by a tension between the claims of Apollonian classicism and those of Dionysian romanticism. Classicism has been distinguished by a valuing of shared conventions and established constraints, the coherence of closed for ...
... It seems probable that Western culture has from its beginnings been characterized by a tension between the claims of Apollonian classicism and those of Dionysian romanticism. Classicism has been distinguished by a valuing of shared conventions and established constraints, the coherence of closed for ...
Week 15
... • Pitches arranged in a sequence or row (tone row) • No pitch occurs more than once in the 12 note row in order to equalize emphasis of pitches ...
... • Pitches arranged in a sequence or row (tone row) • No pitch occurs more than once in the 12 note row in order to equalize emphasis of pitches ...
A Small Selection from among the Many Things that I Still Do Not
... But I do not think the style originated in Venice, either. It seems to have been used earlier in Bologna. I found it in the few works of Giovanni Paolo Colonna available to me,4 but the two main scholars who have written about Colonna have nothing to say about this issue.5 Others assure me that I wo ...
... But I do not think the style originated in Venice, either. It seems to have been used earlier in Bologna. I found it in the few works of Giovanni Paolo Colonna available to me,4 but the two main scholars who have written about Colonna have nothing to say about this issue.5 Others assure me that I wo ...
Symphony No. 9 / Serenade for
... its main theme is a particularly beautiful cantilena intoned by clarinet and oboe in turn. The cheerful finale is a sort of rondo – though distinctly unorthodox in design. It opens with a bold idea in octaves that is loosely related to the march theme of the first movement. A theme on the bass instr ...
... its main theme is a particularly beautiful cantilena intoned by clarinet and oboe in turn. The cheerful finale is a sort of rondo – though distinctly unorthodox in design. It opens with a bold idea in octaves that is loosely related to the march theme of the first movement. A theme on the bass instr ...
Sounds of New Music - UNT Digital Library
... Track 10: Halim El-Dabh (b. 1921). Symphonies in Sonic Vibration. Spectrum no. 1. El-Dabh was born in Cairo, Egypt, on March 4, 1921. After immigrating to the United States in 1953, he became a naturalized citizen in 1961, and taught for many years at Howard University in Washington, D.C. and Kent S ...
... Track 10: Halim El-Dabh (b. 1921). Symphonies in Sonic Vibration. Spectrum no. 1. El-Dabh was born in Cairo, Egypt, on March 4, 1921. After immigrating to the United States in 1953, he became a naturalized citizen in 1961, and taught for many years at Howard University in Washington, D.C. and Kent S ...
Lesson Plan Template
... Balance and Expression is achieved through the use of dynamics (see dynamics under technical preparation) Discuss the composer’s use of the term espressivo in the viola solo at the beginning of North Country Legend. Discuss various ways a musician can add expression to the melody (rubato, dynamic co ...
... Balance and Expression is achieved through the use of dynamics (see dynamics under technical preparation) Discuss the composer’s use of the term espressivo in the viola solo at the beginning of North Country Legend. Discuss various ways a musician can add expression to the melody (rubato, dynamic co ...