II. THE MIDDLE AGES II-1. MUSIC IN THE MIDDLE AGES (450
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
... and standard notation. Since there are no bar lines, how can there be rhythm? Quickly review the basic rules for pronouncing church Latin, and then ask a student to read the text. After following the transcribed notation, encourage the students to follow the chant notation. 3. With over twenty CDs t ...
The History of Architecture
... San Giorigo Maggiore in Venice, Italy The Basilica in Vicenza, Italy The Rotunda (Villa Capra) near Vicenza, Italy The Redentore in Venice, Italy St. Peter's Basilica in the Vatican The Louvre in Paris, France Great Renaissance Architects: ...
... San Giorigo Maggiore in Venice, Italy The Basilica in Vicenza, Italy The Rotunda (Villa Capra) near Vicenza, Italy The Redentore in Venice, Italy St. Peter's Basilica in the Vatican The Louvre in Paris, France Great Renaissance Architects: ...
Music in Brazil at the turn of the 18 centuries –
... introduced in Brazil only after the Portuguese Court’s arrival in Rio, in 1808. Not only extremely difficult operatic arias were introduced, but also a more symphonic approach to the orchestra. Although his music presents a very high quality, the larger compositions displays more interesting aspects ...
... introduced in Brazil only after the Portuguese Court’s arrival in Rio, in 1808. Not only extremely difficult operatic arias were introduced, but also a more symphonic approach to the orchestra. Although his music presents a very high quality, the larger compositions displays more interesting aspects ...
Document
... Although Italy was the fountainhead of Western art music during the seventeenth century, other countries developed their own distinctive musical styles and practices. In German-speaking lands, highly contrapuntal pieces and those built upon sacred melodies were especially favored. ...
... Although Italy was the fountainhead of Western art music during the seventeenth century, other countries developed their own distinctive musical styles and practices. In German-speaking lands, highly contrapuntal pieces and those built upon sacred melodies were especially favored. ...
Mannerism in Music
... Stylistically the are similar in their mixture of polyphony and homophony and their use of the old church scales but with an increase feeling for major and minor tonality. ...
... Stylistically the are similar in their mixture of polyphony and homophony and their use of the old church scales but with an increase feeling for major and minor tonality. ...
Schubert
... •Contour: Arch or hill shaped phrases (peak/climax) • Chromatic harmonies emphasize aspects of verbal text •Register and motives take on psychological importance •Change of mode creates inner/outer psychological worlds •Register and Accompaniment (again) ...
... •Contour: Arch or hill shaped phrases (peak/climax) • Chromatic harmonies emphasize aspects of verbal text •Register and motives take on psychological importance •Change of mode creates inner/outer psychological worlds •Register and Accompaniment (again) ...
5b_bar_music
... - homophonic texture (melody + accompaniment) – although this example is in English, nearly all opera of this time, even that performed in England, was sung in Italian. ...
... - homophonic texture (melody + accompaniment) – although this example is in English, nearly all opera of this time, even that performed in England, was sung in Italian. ...
Chapter 5: A Perfected Art: Church Polyphony in the Late Fifteenth
... 1. Most of Palestrina’s Mass settings are based on pre-existing material. a. Among his choices was the L’Homme arme. b. More than thirty Masses are paraphrase Masses. D. Palestrina’s Missa Papae Marcelli and the Bishops 1. During the mid-sixteenth-century, some Catholic church leaders noted difficul ...
... 1. Most of Palestrina’s Mass settings are based on pre-existing material. a. Among his choices was the L’Homme arme. b. More than thirty Masses are paraphrase Masses. D. Palestrina’s Missa Papae Marcelli and the Bishops 1. During the mid-sixteenth-century, some Catholic church leaders noted difficul ...
Term - Wsfcs
... In sheet music, a symbol at the beginning of the staff defining the pitch of the notes found in that particular staff. ...
... In sheet music, a symbol at the beginning of the staff defining the pitch of the notes found in that particular staff. ...
Ellen Taaffe Zwilich, composer Biography
... was elected to the Florida Artists Hall of Fame and the American Academy of Arts and Letters and, in 1995, was named to the first Composer's Chair in the history of Carnegie Hall. Musical America designated her the 1999 Composer of the Year. A prolific composer in all media except opera, Zwilich has ...
... was elected to the Florida Artists Hall of Fame and the American Academy of Arts and Letters and, in 1995, was named to the first Composer's Chair in the history of Carnegie Hall. Musical America designated her the 1999 Composer of the Year. A prolific composer in all media except opera, Zwilich has ...
Chapter 12 Review
... The only type of music we know much about is the sacred music for the Church, which was written down and preserved in monasteries. At first only marks, called neumes, indicated the direction of the sounds. But later (around the year 1000) a system of square notes on a four-line staff was created and ...
... The only type of music we know much about is the sacred music for the Church, which was written down and preserved in monasteries. At first only marks, called neumes, indicated the direction of the sounds. But later (around the year 1000) a system of square notes on a four-line staff was created and ...
Using music to speak about death
... Requiems are traditionally Christian services set to music and performed at funerals. The emphasis is on the departed. A multitude of composers have written requiems. A few of these have such musical potency that they are performed as concert pieces. ...
... Requiems are traditionally Christian services set to music and performed at funerals. The emphasis is on the departed. A multitude of composers have written requiems. A few of these have such musical potency that they are performed as concert pieces. ...
Vienna is the centr
... doesn’t like (not like) pop music, does he? 2. I like pop. It’s lively and good to ...
... doesn’t like (not like) pop music, does he? 2. I like pop. It’s lively and good to ...
Tennessean Review: ALIAS` world premiere of `Hilos` a joyous affair
... Hall also featured the charming renewal of three carefully cultivated pieces. Frank, a Guggenheim Fellow and Latin Grammy winner, joined ALIAS at the piano for the first public performance of “Hilos,” which ALIAS and Frank recorded recently for an upcoming Naxos CD. Hilos is the Spanish word for thr ...
... Hall also featured the charming renewal of three carefully cultivated pieces. Frank, a Guggenheim Fellow and Latin Grammy winner, joined ALIAS at the piano for the first public performance of “Hilos,” which ALIAS and Frank recorded recently for an upcoming Naxos CD. Hilos is the Spanish word for thr ...
Pianist and musicologist George
... in Europe and the U.S.A. He has won several distinctions and awards for his studies and performances, which have been broadcast on Greek Radio & TV, the Third Programme of the Greek National Radio, the BBC World Service and other radio stations in London. As a scholar, he specializes in the life and ...
... in Europe and the U.S.A. He has won several distinctions and awards for his studies and performances, which have been broadcast on Greek Radio & TV, the Third Programme of the Greek National Radio, the BBC World Service and other radio stations in London. As a scholar, he specializes in the life and ...
Enlightenment Ideas Spread: Chapter 17, Section 2
... Geoffrin. She brought together the brightest & most talented people of her day. Mozart played for her guests. ...
... Geoffrin. She brought together the brightest & most talented people of her day. Mozart played for her guests. ...
Baroque Era - Cabarrus County Schools
... new style featuring solo song with instrumental accompaniment Monody first used by the Florentine Camerata – a group of writers, artists and musicians in Florence, Italy whose aim was to resurrect the music & dramatic art of the ancient Greeks. ...
... new style featuring solo song with instrumental accompaniment Monody first used by the Florentine Camerata – a group of writers, artists and musicians in Florence, Italy whose aim was to resurrect the music & dramatic art of the ancient Greeks. ...
Mozart at Age Six Wrote His Own Compositions, Composed His First
... and soon developed his skills in all musical forms. Widely recognized as one of the greatest composers of all time, he produced over 600 works. Here are some more facts about the composer, according to Bio.com and biographyonline.net: By the age of 6 he was writing his own compositions. He wrote his ...
... and soon developed his skills in all musical forms. Widely recognized as one of the greatest composers of all time, he produced over 600 works. Here are some more facts about the composer, according to Bio.com and biographyonline.net: By the age of 6 he was writing his own compositions. He wrote his ...
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... new style featuring solo song with instrumental accompaniment Monody first used by the Florentine Camerata – a group of writers, artists and musicians in Florence, Italy – whose aim was to resurrect the music-dramatic art of the ancient Greeks. ...
... new style featuring solo song with instrumental accompaniment Monody first used by the Florentine Camerata – a group of writers, artists and musicians in Florence, Italy – whose aim was to resurrect the music-dramatic art of the ancient Greeks. ...
Subject Area: General Music Grade Level: 6
... Scope: Grade four students should, by this point in their music education, begin to demonstrate proficiency in the use of: classroom instruments using proper performance techniques; singing voice to create, express and experience music concepts; knowledge of musical elements and principles through a ...
... Scope: Grade four students should, by this point in their music education, begin to demonstrate proficiency in the use of: classroom instruments using proper performance techniques; singing voice to create, express and experience music concepts; knowledge of musical elements and principles through a ...