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The Classical Concerto
The Classical Concerto

... movements that run into one another without a break, and there are frequent cross-movement thematic references. Mozart, as a boy, made arrangements for harpsichord and orchestra of three sonata movements by Johann Christian Bach. By the time he was twenty, he was able to write concerto ritornelli th ...
senior recital program.
senior recital program.

... of a prelude and fugue in each of the 24 major and minor keys in chromatic order from C major to B minor. "Well-tempered" in the title refers to the temperament or system of tuning. Many temperaments before Bach's time were not flexible enough to allow compositions to utilize more than just a few ke ...
Dear Joy
Dear Joy

... immediately becomes lyrical (Strinasacchi was good at that), and then breaks into a lively allegro brimming with musical ideas, some of which are light-hearted and humorous, almost cheeky. Mozart initially wrote Adagio at the head of the second movement, but crossed this out and wrote Andante – it h ...
CD Review 78 - Dr David Wright
CD Review 78 - Dr David Wright

... The Piano Sonata no 2 in B flat minor, in its original version was fiendishly difficult. The revised version has some ‘cuts’ in it because the composer felt it was too long for its material. The 1931 version of this CD is still very difficult technically and the sleeve notes suggests it is in three ...
Assignment 5 Music of the Classical Period Name
Assignment 5 Music of the Classical Period Name

... 13. Sonata form is used frequently as the form for the ________ movement of a multi-movement work. A. first B. slow C. final fast D. all answers are correct ...
Bach Trio Sonata
Bach Trio Sonata

... and bass continuo, making three parts in all, hence the name trio sonata. However, because the basso continuo is usually made up of at least two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), trio sonatas are typically performed by at least four music ...
AS Music summer work
AS Music summer work

... AS Holiday Homework Summer 2014 ...
View Preview Notes
View Preview Notes

... Born: May 7, 1833, in Hamburg, Germany  Died: April 3, 1897, in Vienna, Austria  Composed: 1865‐73  Last PCMS performance: Artemis Quartet in 2014  Duration: 32 minutes  ...
Chapter Five: Baroque Art and Music
Chapter Five: Baroque Art and Music

... • New musical genre: French Overture – Slow introduction, fast second section ...
Identify, the choice that best completes the statement
Identify, the choice that best completes the statement

... 45. The main theme of a fugue is called the a. motive (exposition) 46. J.S. Bach composed six concertos, performed often today for the margrave of e. Brandenburg 47. A toccata is a. a free-sounding virtuoso work, usually for keyboard 48. The three main characteristics of Baroque art and music are a. ...
Lesson 3: Classical Period Historical Events
Lesson 3: Classical Period Historical Events

... Classical music has a 13)_______, clearer texture than Baroque music and is less complex. It is mainly homophonic — 14)____________ above chordal accompaniment but counterpoint is by no means forgotten, especially later in the period. Variety and contrast within a piece became more pronounced than b ...
Programme note - Edward Gregson
Programme note - Edward Gregson

... This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo. The Prelude is in sonata form wit ...
Tippett * Concerto for double string orchestra: movement I
Tippett * Concerto for double string orchestra: movement I

... transformed . The music goes through several modulations (key changes).  In the recapitulation the material from the exposition is recapped repeated in a slightly different and shorter form. The first and second subjects are now both heard in the tonic key. ...
Quartettsatz in C Minor Franz Schubert (1756-1791)
Quartettsatz in C Minor Franz Schubert (1756-1791)

... “Unfinished” Symphony: they feature a similar opening in the first violins; both are superbly lyrical; and both are built on surprising key relationships between main themes. The Quartettsatz’s key relationships are one of the special aspects of this work, flowing from one to the next smoothly but i ...
The-Sonata - WordPress.com
The-Sonata - WordPress.com

... Western Classical Tradition The sonata ...
Major Genres and other Terms Aleatoric Music: a 20th century
Major Genres and other Terms Aleatoric Music: a 20th century

... Cantata: a typically multi-movement composition for voice(s) and instruments that is dramatic in content but not meant to be staged. The movements might include arias, duets, recitatives and choruses. A popular Baroque form, most cantatas are sacred in nature (but not all). About 200 hundred cantat ...
Music 105 Final Review
Music 105 Final Review

... both miniatures and grandiose compositions. – R. Schumann, “Eusebius” from piano cycle Carnaval— piano character piece; program music. – R. Schumann, Lied “In the Lovely Month of May” from song cycle Dichterliebe. Doesn’t resolve. Harmony is less functional; expression of emotion more important. – F ...
Ludwig van Beethoven
Ludwig van Beethoven

... -A being the main theme (refrain) and -B and C being other, contrasting themes! -B. used it, e.g., for last movement of -string quartets, including SQ op. 18, no. 4 (of 6), movement 4: “Rondo”, 1799-1800; CD ...
section a - example exam questions - Dyatmika Music
section a - example exam questions - Dyatmika Music

... Write a detailed commentary on the last movement of Haydn’s ‘Schoolmaster’ Symphony. Explain 
 its structure and describe some of the ways the main theme is used. Write a detailed commentary on the third movement of Haydn’s ‘Schoolmaster’ Symphony. Pay particular attention to aspects of the music th ...
Programme note - Edward Gregson
Programme note - Edward Gregson

... Music for Chamber Orchestra This work was commissioned in 1967 by the English Chamber Orchestra and was completed the following year. The work is dedicated to Alan Bush with whom the composer studied at the Royal Academy of Music from 1963-67. Music for Chamber Orchestra is in four movements. The op ...
Rondo, 3rd Movement from Sonatina in F Op 168
Rondo, 3rd Movement from Sonatina in F Op 168

... A sonatina is a little sonata (meaning ‘piece for instrument’) and has between 2 and 3 contrasting movements. The last movement tends to be lively and is often in rondo form. Rondo means ‘round’ and refers to a musical structure ABACADA where A is the theme that comes back around. In this sonatina, ...
Classical Era - Raleigh Charter High School
Classical Era - Raleigh Charter High School

... – Valves introduced into Brass – first time these instruments could play a full chromatic compass – Saxophone, baritone and tuba invented by Adolf Sax – Piano became the standard keyboard instrument ...
programme_notes_fina..
programme_notes_fina..

... statement performed by the right hand. The piece is in binary form—the whole piece can be divided into two parts. The opening theme of the first part is repeated at the beginning of the second part, then the music goes on with some further development. ...
classical period class notes
classical period class notes

... suicide during this period. • Eroica was originally dedicated to Napoleon Bonaparte. The dedication was changed after Napoleon declared himself Emperor. • Important piece from Beethoven’s middle period. ...
Music 100 Placement Exam
Music 100 Placement Exam

... a) opera b) cantata c) Passion d) oratorio 11. Major and minor keys with the same tonic note are said to be a) parallel b) relative c) affiliated d) analogous 12. A Classical sonata form movement in the major mode presents its second theme in which key? a) subdominant b) dominant c) relative minor d ...
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Sonata form



Sonata form (also sonata-allegro form or first movement form) is a large-scale musical structure used widely since the middle of the 18th century (the early Classical period).While it is typically used in the first movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this, sonata form is difficult to pin down in a single model.The standard definition focuses on the thematic and harmonic organization of tonal materials that are presented in an exposition, elaborated and contrasted in a development and then resolved harmonically and thematically in a recapitulation. In addition, the standard definition recognizes that an introduction and a coda may be present. Each of the sections is often further divided or characterized by the particular means by which it accomplishes its function in the form.Since its establishment, the sonata form became the most common form in the first movement of works entitled ""sonata"", as well as other long works of classical music, including the symphony, concerto, string quartet, and so on. Accordingly, there is a large body of theory on what unifies and distinguishes practice in the sonata form, both within eras and between eras. Even works that do not adhere to the standard description of a sonata form often present analogous structures or can be analyzed as elaborations or expansions of the standard description of sonata form.
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