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Ideological Parameters in Reactions to Performances of Ancient
Ideological Parameters in Reactions to Performances of Ancient

... Until 1974 things were rather simple and clear-cut: classical Greek drama and the ancient theatre of Epidaurus fell within the purview of the National Theatre.12 It was at Epidaurus that “blue chip” performances were staged: star actors, established directors, and traditional translations. Plays wer ...
Playwrights` Center announces expanded season for 2014-15
Playwrights` Center announces expanded season for 2014-15

... The Core Writer program gives 25-30 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. All Core Writers receive play development workshops at the Center, in collaboration with prominent directors, actors, dramaturgs, and designers. Selected ...
Evolutionary Tendencies in Spanish American
Evolutionary Tendencies in Spanish American

... from North American Naturalism. Solórzano's plays, indebted to Camus and Ghelderode, combine regional and national concerns with existential themes and plastic images inspired by popular art. Distancing effects, the kind we associate with Brecht's theatre, and a clownesque style characterize Dragún' ...
From the Dean and Vice Principal Academic,
From the Dean and Vice Principal Academic,

... night. The inspiration of Aristophanes’ Lysistrata is also clearly at work throughout the play. But the most important force behind the creation of this comedy is John Fletcher’s urgent need to counter the perceived misogyny of Shrew with his own passionate call for true partnership and “due equalit ...
Theatre-Theory Syllabus - Theater Historiography
Theatre-Theory Syllabus - Theater Historiography

... • To develop the skills of using performance theory in both writing and discussion, in order to learn how to join the scholarly “conversation.” • To learn the theoretical concepts and practical application of these ideas through teaching them to others in the classroom. • To complete a publishable, ...
The Cherry Orchard Education Pack
The Cherry Orchard Education Pack

... The ideal versus the realistic An act by act synopsis of the original play can be found at http://en.wikipedia.org/wiki/The_Cherry_Orchard Blackeyed’s Cherry Orchard Blackeyed Theatre’s The Cherry Orchard has been re-imagined by director Bart Lee. His adaptation cuts the number of actors from twelve ...
Portfolio 2011 in English
Portfolio 2011 in English

... issue of Islam in the Czech Republic. The first performance within the Identity Cycle is trying to find sources of prejudices of Europeans towards people from Muslim countries and communities and their way of life. The aims of the performance are: - to educate the European public about Muslim cultur ...
No Small Parts: The Role of Scale Models in Theater Set Design
No Small Parts: The Role of Scale Models in Theater Set Design

... requires”2 When the scenographic model is complete it is presented to the production team who begin to determine how they will bring it full-scale. The acting company may see the scenographic model at orientation but most often they get their first view at the first rehearsal. Scenographic models th ...
Cell phones are to be turned OFF and not used at
Cell phones are to be turned OFF and not used at

... crew are to be in the wings ONLY for entrances, exits, scene changes, and fast costume changes (in designated areas).  At times, tours are scheduled before a performance. The Stage Manager will share this with all cast, crew, and orchestra so you are prepared for visitors. ...
Cinderella - Young People`s Theatre
Cinderella - Young People`s Theatre

... Message from the Artistic Director There are hundreds of versions of the Cinderella story found throughout the world’s cultures. Many of them reinforce in some way the notion that if a girl is good, she will one day get a rich husband. When I first read Mike Kenny’s take on the story, I was struck ...
VanBennekom, Angel - University of Delaware
VanBennekom, Angel - University of Delaware

... fifty-two years of Shakespeare’s life between 1564 and 1616. Although Shakespeare likely acted and wrote for many playhouses throughout his career, when examining the specific theatres of Shakespeare’s company, one can safely narrow the focus to comparing the old Globe and the second Blackfriars Pl ...
Animal Crackers
Animal Crackers

...  Props and costumes should NOT be used in this assessment. Chairs may be used as a “sitting device.”  Do NOT use a real animal cracker box or cracker itself as a prop.  Reproduce a classroom set of student task directions, glossary of terms, rubric and student response sheets from this booklet.  ...
the digital program
the digital program

... JON AMIRKHAN^ has performed in every incarnation of The Car Plays since Paul Stein first created them in 2006. Jon has been doing stage, film, radio, commercials, web and voice-over for over 30 years, many of which were spent lost and stuck in L.A. traffic. Jon would like to thank you all for suppor ...
Medieval Theatre Powerpoint
Medieval Theatre Powerpoint

...  As the mysteries, miracle and moralities were censored by Protestant authorities, secular drama became more important to all levels of society ...
William Shakespeare`s Julius Caesar
William Shakespeare`s Julius Caesar

... EDUCATION PROGRAMS: Aquila is dedicated to theater art as education with an extensive program of workshops, institutes, and a specialized company for young audiences. The Aquila Theatre for Young Audiences Company will be taking a special educational production of Shakespeare’s Romeo & Juliet to New ...
The mystery of the in-between
The mystery of the in-between

... perspective McLuhan envisages media, like the human senses, as capable of transferring experiences from one sensory (medial) field to another. Therefore, they do not form closed systems, incapable of an interplay, but rather are open, incomplete configurations that mutually translate all senses (med ...
By Bernard Pomerance
By Bernard Pomerance

... LIZZI NEHLS* (Stage Manager) NYC credits: Broadway workshops: Spring Awakening and Movin’ Out. Broadway: Design For Living (Roundabout Theatre) with Alan Cumming. Off-Broadway: York Theatre: Prodigal Son with Christian Borle and Kerry Butler, Roadside by the creators of The Fantastics with G.W. Bail ...
Show Program - Transport Group
Show Program - Transport Group

... Jenkins and will be appearing in the WWE movie, Bending The Rules, being released later this year. PATTI MURIN (Lysistrata Jones) Patti is absolutely thrilled to step back into the cheerleading uniform after originating this role at the Dallas Theatre Center last year! She just returned from playing ...
Sex-speare vs. Shake-speare: On Nudity and Sexuality in Some
Sex-speare vs. Shake-speare: On Nudity and Sexuality in Some

... set (no matter whether studio-, location- or stage-based) runs rather counter to an explicit and realistic presentation of violence, nudity or sex (or the three of them). A good example illustrating this thesis can be the scene of Lavinia’s rape in Monika Pęcikiewicz’s production of Titus Andronicus ...
the naacp theatre awards are presented by the beverly
the naacp theatre awards are presented by the beverly

... Theatre Viewing Committee announces nominations for the 22nd Annual NAACP Theatre Awards. The awards include 32 categories that encompass local and equity nominations. This year’s awards show will be held on Monday, November 5, 2012 at 6 P.M. at the famous Directors Guild of America in Hollywood, Ca ...
Mary Poppins - Stage Technologies
Mary Poppins - Stage Technologies

... in December 2001 resulted in an agreement for a co-production – unprecedented for both companies. What to put on stage? Disney’s stage musicals have been straight adaptations of their films, albeit sometimes (as with The Lion King) using very theatrical designs. But Cameron was a friend of Pamela Tr ...
Rachel and Juliet - Invisible Theatre
Rachel and Juliet - Invisible Theatre

... RACHEL KEMPSON, Lynn’s mother, debuted at Stratford in 1932, famously as Juliet in Bridges Adams' production of ROMEO AND JULIET. In 1935 she was asked by William Armstrong to star in the Liverpool Repertory production of FLOWERS OF THE FOREST. Her leading man was Michael Redgrave. Within a few wee ...
Five Little Monkeys - Adventure Theatre MTC
Five Little Monkeys - Adventure Theatre MTC

... KATIE TOUART (Costume Designer) is a visual artist who began designing costumes in 1999. Recent costume credits include: Winnie the Pooh, Just a Dream: the Green Play, Spot’s Birthday Party, The Little Engine That Could, Harold and The Purple Crayon (Adventure Theatre MTC); Aladdin’s Luck -Helen Hay ...
Running Crew - Scorpio Theatre
Running Crew - Scorpio Theatre

... Anastasia is an actor, writer and Stage Combatant. She enjoys collective creations, dance, and a twist of the classics to quench her lust for combat. She works as a Fight Director, Residency Artist and as an Artistic Associate for Full Circle Theatre. Select acting credits include: Princesses of Pai ...
Peninsula - Fortune Theatre
Peninsula - Fortune Theatre

... Work in progress The cast was very aware that these were the ideas that they came up with on that day. They pointed out that during the rehearsal process they will learn new things about their characters and they will change and grow every day. Julie Edwards added “This is what makes the rehearsal p ...
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Actor



An actor (actress is sometimes used for females; see § Terminology) is a person portraying a character in a dramatic or comic production; he or she performs in film, television, theatre, radio, commercials or music videos. Actor, ὑποκριτής (hypokrites), literally means ""one who interprets""; an actor, then, is one who interprets a dramatic character. Method acting is an approach in which the actor identifies with the portrayed character by recalling emotions or reactions from his or her own life. Presentational acting refers to a relationship between actor and audience, whether by direct address or indirectly by specific use of language, looks, gestures or other signs indicating that the character or actor is aware of the audience's presence. In representational acting, ""actors want to make us 'believe' they are the character; they pretend.""Formerly, in some societies, only men could become actors, and women's roles were generally played by men or boys. In modern times, women occasionally played the roles of prepubescent boys.
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