Subverting the Filmic I/Eye: A Cinematic Look at Marginalized
... eroticization of women in film gives evidence that the gaze of the camera is unequivocally both male and heterosexual. Because the majority of directors, playwrights, and producers are heterosexual men (Case 118), the works that they produce reflect the perspectives pertinent to their own lives. Con ...
... eroticization of women in film gives evidence that the gaze of the camera is unequivocally both male and heterosexual. Because the majority of directors, playwrights, and producers are heterosexual men (Case 118), the works that they produce reflect the perspectives pertinent to their own lives. Con ...
Neo-onnagata: professional cross-dressed actors and their roles on
... recent artists on the contemporary Japanese stage--those I call “neo-onnagata.” It is my intension to look at the work and philosophies of various artists that fit the stated definition of what constitutes neo-onnagata. These artists advance a wide variety of work and range from popular entertainers ...
... recent artists on the contemporary Japanese stage--those I call “neo-onnagata.” It is my intension to look at the work and philosophies of various artists that fit the stated definition of what constitutes neo-onnagata. These artists advance a wide variety of work and range from popular entertainers ...
"Notes on a scandal" to the screen
... Zoë Heller found Blanchett's casting eerily close to what she had always imagined Sheba to be like as a person. "Cate is as damn near an incarnation of what I had in my head as you could get," she says. "So it was like having a dream and then seeing it acted out before you." From her first encounter ...
... Zoë Heller found Blanchett's casting eerily close to what she had always imagined Sheba to be like as a person. "Cate is as damn near an incarnation of what I had in my head as you could get," she says. "So it was like having a dream and then seeing it acted out before you." From her first encounter ...
Specific THR courses
... is available Explores acting techniques particular to the mediums of film and video. THR 355. Directing I (3) Prerequisite: THR 305, 306, 308 or consent of instructor. Fundamental principles of directing with emphasis on one-act productions. THR 365. (ENG 365) Studies in Drama (3) Prerequisite: ENG ...
... is available Explores acting techniques particular to the mediums of film and video. THR 355. Directing I (3) Prerequisite: THR 305, 306, 308 or consent of instructor. Fundamental principles of directing with emphasis on one-act productions. THR 365. (ENG 365) Studies in Drama (3) Prerequisite: ENG ...
The Tempest Study Guide - The Classic Theatre of San Antonio
... later changed to The King’s Men. By 1599, William Shakespeare and his business partners built the Globe theatre on the south bank of the Thames River. Shakespeare’s known work was produced between 1589 and 1613. His early plays were mostly comedies and histories, widely regarded as some of the best ...
... later changed to The King’s Men. By 1599, William Shakespeare and his business partners built the Globe theatre on the south bank of the Thames River. Shakespeare’s known work was produced between 1589 and 1613. His early plays were mostly comedies and histories, widely regarded as some of the best ...
Committed Drama within Postdramatic Theatre: A
... To argue for the subsistence of drama, I will analyze six plays written by contemporary German language dramatists. I have selected these plays and playwrights because all have been recognized with awards or important productions, and are praised as representatives of the new generation of German la ...
... To argue for the subsistence of drama, I will analyze six plays written by contemporary German language dramatists. I have selected these plays and playwrights because all have been recognized with awards or important productions, and are praised as representatives of the new generation of German la ...
Miss Julie - Amazon Web Services
... It could be argued that the public interest in the new theories of psychology was heavily influential in the development of the naturalistic style of acting that emerged at the end of the nineteenth century, tied to the Realism/Naturalism movements led by playwrights like Chekhov, Ibsen, and Strindb ...
... It could be argued that the public interest in the new theories of psychology was heavily influential in the development of the naturalistic style of acting that emerged at the end of the nineteenth century, tied to the Realism/Naturalism movements led by playwrights like Chekhov, Ibsen, and Strindb ...
Initial Report - Kenyon College
... In terms of my thesis, the most essential class was Documentary Film (because I made a documentary) It's tough to pick one. It's probably between Playwriting/Advanced Playwriting (as much for the curriculum as for the time spent with Professor Macleod) and Advanced Directing with Professor Kramer. B ...
... In terms of my thesis, the most essential class was Documentary Film (because I made a documentary) It's tough to pick one. It's probably between Playwriting/Advanced Playwriting (as much for the curriculum as for the time spent with Professor Macleod) and Advanced Directing with Professor Kramer. B ...
The Country Girl - The American Century Theater
... brings to the role. Casting changes everything, and this was especially true when The Country Girl travelled from Broadway to Hollywood. The script was adapted to the screen by someone other than the playwright, despite Odets’s extensive experience as a screenwriter: George Seaton, who also took ove ...
... brings to the role. Casting changes everything, and this was especially true when The Country Girl travelled from Broadway to Hollywood. The script was adapted to the screen by someone other than the playwright, despite Odets’s extensive experience as a screenwriter: George Seaton, who also took ove ...
Alexander Nikolayevich Ostrovsky:
... artists toward their task deeply impressed the spectators, who were accustomed to the careless acting of our artists. Rehearsals began to be conducted in a wholly different manner. The guest artists insisted that all actors and actresses learn their parts, and that they not only think about themselv ...
... artists toward their task deeply impressed the spectators, who were accustomed to the careless acting of our artists. Rehearsals began to be conducted in a wholly different manner. The guest artists insisted that all actors and actresses learn their parts, and that they not only think about themselv ...
Chapter 1: Introduction: The Korean American Context
... Which the same I would rise to explain. Ah Sin was his name; And I shall not deny, In regard to the same, What that name might imply…" (287-88) ...
... Which the same I would rise to explain. Ah Sin was his name; And I shall not deny, In regard to the same, What that name might imply…" (287-88) ...
Shakespeare and globalization
... time, translations remained largely instrumental documents judged in terms of their accessibility to actors. And as late as 1899 a new French version of Hamlet made its mark not by the names of its translators, Marcel Schwob and Eugène Morand, but through the star power of the person who commissione ...
... time, translations remained largely instrumental documents judged in terms of their accessibility to actors. And as late as 1899 a new French version of Hamlet made its mark not by the names of its translators, Marcel Schwob and Eugène Morand, but through the star power of the person who commissione ...
Antigone
... about the decree forbidding the burial, and she admits that she was aware of it. Antigone declares she is proud of her actions and willing to die for it. She did not obey Creon’s decree as it was against the ‘Natural Laws’. Creon argues that the law of the state cannot be broken and that if they are ...
... about the decree forbidding the burial, and she admits that she was aware of it. Antigone declares she is proud of her actions and willing to die for it. She did not obey Creon’s decree as it was against the ‘Natural Laws’. Creon argues that the law of the state cannot be broken and that if they are ...
One Man Two Guvnors at Berkeley Rep
... Superiority Theory, and the Incongruity Theory. There are theories based on sexual selection, mistaken reasoning, misattribution, and benign violation. You can probably figure those out just from the titles. But then there’s the Computational-Neural Theory, which I recommend as a sleep aid, and my p ...
... Superiority Theory, and the Incongruity Theory. There are theories based on sexual selection, mistaken reasoning, misattribution, and benign violation. You can probably figure those out just from the titles. But then there’s the Computational-Neural Theory, which I recommend as a sleep aid, and my p ...
Fetishism as Theatrical Device in Nelson Rodrigues`s Os Sete
... Almost single-handedly, Nelson Rodrigues was responsible for catapulting Brazilian theater into the twentieth century. Before him, most plays being performed in the country consisted of boulevard comedies, European pieces put on by foreign acting companies, and chanchadas.1 This is so much the case ...
... Almost single-handedly, Nelson Rodrigues was responsible for catapulting Brazilian theater into the twentieth century. Before him, most plays being performed in the country consisted of boulevard comedies, European pieces put on by foreign acting companies, and chanchadas.1 This is so much the case ...
PÓS-GRADUAÇÃO EM LETRAS/INGLÊS E LITERATURA
... connection between a dramatic work and the environment in which that work is to be enacted. The impact of a particular theatre space on the dramaturgy of a playwright and on the enactment of a play may be assessed in terms of both the structural characteristics and the sociopolitical environment of ...
... connection between a dramatic work and the environment in which that work is to be enacted. The impact of a particular theatre space on the dramaturgy of a playwright and on the enactment of a play may be assessed in terms of both the structural characteristics and the sociopolitical environment of ...
tallinn treff festival 24.–27.05.2012
... At first glance, the world can seem like a boring and tedious place. Everything around us is “normal” and “ordinary”. Too many people tend to get on out nerves and there are all kinds of “freaks” out there. The nature is “tolerable” (except for mosquitoes), as long as it keeps its distance! (Althoug ...
... At first glance, the world can seem like a boring and tedious place. Everything around us is “normal” and “ordinary”. Too many people tend to get on out nerves and there are all kinds of “freaks” out there. The nature is “tolerable” (except for mosquitoes), as long as it keeps its distance! (Althoug ...
Dear Playhouse Friends - The Pasadena Playhouse
... “theatrical surprise,” next season will include plays and musicals both new and old that hold the possibility of bringing to The Playhouse the theatrical diversity, eclectic energy, and magical journeys that we hope to achieve year after year in our theatre. I hope that those of you who are already ...
... “theatrical surprise,” next season will include plays and musicals both new and old that hold the possibility of bringing to The Playhouse the theatrical diversity, eclectic energy, and magical journeys that we hope to achieve year after year in our theatre. I hope that those of you who are already ...
turning tricks and the modern female protagonist
... group of high-end courtesans at the height of their literary fame in the dawn of the twentieth century. These original ―working girl‖ characters are among the first of the ―tart with a heart‖ types within the ―fallen woman‖ stock character category ("Demimonde", Collins). Evolving from European musi ...
... group of high-end courtesans at the height of their literary fame in the dawn of the twentieth century. These original ―working girl‖ characters are among the first of the ―tart with a heart‖ types within the ―fallen woman‖ stock character category ("Demimonde", Collins). Evolving from European musi ...
CATS Study Guide
... that might entertain the masses. While these plays had no direct effect on the development of musical theatre as we know it, they prove that musicals have been around for at least 2500 years. ...
... that might entertain the masses. While these plays had no direct effect on the development of musical theatre as we know it, they prove that musicals have been around for at least 2500 years. ...
UPSTAGE GUIDE - Roundabout Theatre Company
... actors, taking off their modern dress and swapping it out for stories—are available. Artists who use DIY styles appreciate the garb of the 18th Century American South. The actors the way they encourage the audience’s imagination through introduce themselves to the audience and become their these non ...
... actors, taking off their modern dress and swapping it out for stories—are available. Artists who use DIY styles appreciate the garb of the 18th Century American South. The actors the way they encourage the audience’s imagination through introduce themselves to the audience and become their these non ...
this PDF file - NOVA: The University of Newcastle
... with monkeys...The apes are led by a superior animal, a baboon presented with great spirit by Mr Michenson. A more diverting scene than this we do not remember to have seen in any of the preceding pantomimes at Drury Lane.’ 9 (Fig 4) In February 1871 The Children’s Pantomime Party at Covent Garden b ...
... with monkeys...The apes are led by a superior animal, a baboon presented with great spirit by Mr Michenson. A more diverting scene than this we do not remember to have seen in any of the preceding pantomimes at Drury Lane.’ 9 (Fig 4) In February 1871 The Children’s Pantomime Party at Covent Garden b ...
The Ideal of Ensemble Practice in Twentieth
... brought him into direct contact with Stanislavsky and his actors, while Barker travelled to Moscow in 1914 to meet with the Russian director and to see his company at work. These experiences became key reference points in both men’s subsequent writings on the theatre, where Stanislavsky was presente ...
... brought him into direct contact with Stanislavsky and his actors, while Barker travelled to Moscow in 1914 to meet with the Russian director and to see his company at work. These experiences became key reference points in both men’s subsequent writings on the theatre, where Stanislavsky was presente ...
School of Public Morality or Instrument of Political Repression
... Until the beginning of 18th century, theatre in the Habsburg monarchy was considered to be essentially a form of entertainment and was offered by wandering companies. Alongside the traditional court theatre, with its predominant performances of Italian operas, the first permanent stage for the publi ...
... Until the beginning of 18th century, theatre in the Habsburg monarchy was considered to be essentially a form of entertainment and was offered by wandering companies. Alongside the traditional court theatre, with its predominant performances of Italian operas, the first permanent stage for the publi ...
PlayshareSummary 2016 - Youth Theatre Ireland
... Perform YT supports NAYD affiliated youth theatres to perform plays from Playshare. This is done by NAYD directly contributing to the cost of the performance rights to the playwrights. It aims to continue to support youth theatres to rehearse and perform interesting, well-written and diverse youth d ...
... Perform YT supports NAYD affiliated youth theatres to perform plays from Playshare. This is done by NAYD directly contributing to the cost of the performance rights to the playwrights. It aims to continue to support youth theatres to rehearse and perform interesting, well-written and diverse youth d ...
Actor
An actor (actress is sometimes used for females; see § Terminology) is a person portraying a character in a dramatic or comic production; he or she performs in film, television, theatre, radio, commercials or music videos. Actor, ὑποκριτής (hypokrites), literally means ""one who interprets""; an actor, then, is one who interprets a dramatic character. Method acting is an approach in which the actor identifies with the portrayed character by recalling emotions or reactions from his or her own life. Presentational acting refers to a relationship between actor and audience, whether by direct address or indirectly by specific use of language, looks, gestures or other signs indicating that the character or actor is aware of the audience's presence. In representational acting, ""actors want to make us 'believe' they are the character; they pretend.""Formerly, in some societies, only men could become actors, and women's roles were generally played by men or boys. In modern times, women occasionally played the roles of prepubescent boys.